Lovely Tablecloth

This lovely tablecloth was rescued from the bottom of some huge piles at an estate sale. Hooray for salvage operations!

I'm finding myself drawn to all sorts of textiles and other art with a multi-color, full-spectrum palette.  So this cross-stitch embroidery is just the thing for me, really cheerful and pleasing.

Unique Vintage Dress and the Fashion Originators Guild

Here's yet another really cool vintage clothing item I have repaired for Basya Berkman Vintage Fashions.  It's a two piece outfit, a wool dress with matching wool and fur jacket, dating to the 1930s or 1940.

   

There are three stand-out facts about this outfit:

A Resting Place for Mr. Spenalzo

Remember reading recently about my adventures making the dead body for the recent production of Arsenic and Old Lace?

Well, I made him as a stuffed body that could be dressed differently and used again for some future production.  So on our recent costume put-away day, his clothes went back into the costume boxes along with the things worn by all the other actors.

Costume Put-Away Day

Last Tuesday, we, that is the Thin Ice Theater costume crew, held a big Costume Put-Away Day.  Our costume (and props) collection is stored at 3 houses, mostly in big plastic bins with some special items on hanging racks. You can read about the origins of our collection here.  And you can read about about how we've re-purposed costumes for each show:  The Importance of Being Earnest, You Can't Take It With You, A Midsummer Night's Dream, Little Women: Beth, Amy and Jo and Meg, and An Ideal Husband.  

Our task was to sort and store everything from the past 3 shows - Witness for the Prosecution, The Phantom Tollbooth, and Arsenic and Old Lace.  Lots!

Our Rug's Resumé

Our living room rug has now appeared in its fifth show with Thin Ice Theater.  So, I figure it's time that the rug has its own resumé:

2008.  The Man Who Came to Dinner by George S. Kaufman and Moss Hart
photo by me - set by Joyce Elias

Bear's Paw Quilt

I did some patching of worn spots on this quilt, and mended an area with a hole through all three layers.  But that's not why I decided to write about it.  I just really, really like this quilt.  To my eyes, it's a totally successful design.  

Sometimes, to help myself learn what makes a successful quilt design, I like to play this little game.  I imagine how the quilt might look if the borders were different, or if it was not bordered at all, or if the blocks were set differently, or if the coloring was changed.  I can't find any changes that would improve this quilt for me.  When that happens, I know I've found a quilt I really like.

Meet Mr. Spenalzo

My main contribution to this weekend's Thin Ice Theater production of the classic "Arsenic and Old Lace" is the creation of a life-sized doll to be the two dead bodies that are called for in the script.

Sometimes he is Mr. Hoskins and sometimes Mr. Spenalzo.  We're hoping there will be time for him to have a super quick costume change.  It's tricky, since he won't be very helpful with the changes.  Another thing he will be called on to do is lose a shoe in the process.

I Know This Puppy

I was searching for vintage fabrics and came across an ad for a children's fabric.  It's actually a reproduction print, not a vintage fabric.  But the designs used are vintage.  A couple of them are identical to appliqués on a 1940s child's quilt that I helped bring back to life.  And couple of others are similar enough, that I'd guess they came from the same original pattern set.

Quilts in Outer Space

Image credit: National Aeronautics and Space Administration.

Doesn't this sound like fun?

Astronaut and quilter Karen Nyberg is going to combine these two activities when she joins the space station crew in a couple of weeks.  Read more about her quilting plans here.

I hope she publishes photos of her space quilts when she gets back to Earth.

Being Organized

So.  What do you do when you have 26 young actors wearing 56 costumes and different sets of parents helping out on different days?  You get organized.  You get super organized.  Organizing the dressing room became nearly as big a job for this show as creating the costumes themselves.

Kids and Toys

Here's a sweet fabric in a quilt that was brought to me for repair.  I think it's quite a bit older than the other fabrics in the quilt.  It may date to the 1930s or so, or is a clever reproduction fabric.  I think it's vintage, though - at the time this quilt was made several decades ago, I don't think reproduction '30s fabrics were in vogue as they are now.  There are just 3 triangles of this fabric, making it seem like a special scrap.

When I asked the quilt owner for permission to publish the photos here, he told me that the quilt was made for his mother-in-law, and that she was very involved in early childhood education. So he wonders if this fabric had been included in the quilt to represent that part of her life.  Cool!

Forest Park

I visited the Forest Park Library to clean the quilts that have been on display for several years.  See the previous post for an explanation of the vacuuming process.

Here's a little tour of one of the quilts.  This is a log cabin, barn raising set.

Have Vacuum, Will Travel

Vacuuming is probably the safest way to freshen a hanging quilt.  

I spent a good part of the day yesterday at the Forest Park Library, vacuuming three quilts that the library has on display.

An Old, Old Quilt

If, like me, you always like your antiques "the older the better", here's a quilt that fits the bill.

I came across this article a short while ago - it tells the story of a very, very old quilt that resides in Ohio.

The quilt is a whole cloth wool quilt.  It was made by the aptly-named Martha Crafts, born in 1760.  Family history says she made it prior to her 1787 marriage to Zachariah Howard.  This dating information consists of documentation written in 1910.  The style, fabric, and large size all help support the family's information.   This potential date would make it older than the oldest such quilt in the collections of the Smithsonian, and the folks in Canton are pretty pleased with that fact.

It was displayed last month at the local quilt show, only its second public appearance in all these years.

There is a great deal of family history associated with the quilt, making it an even more interesting piece.  The article details the history of Martha, her life and marriage, and the path of ownership and restoration of the quilt, a very interesting read.

Wouldn't we all love to have quilts with such great historical value and provenance in our family collection?

http://www.thecantoncitizen.com/2013/03/28/true-tales-howard-quilt/
Published in the Canton Citizen.  Written by George T. Comeau.

A Good Day's Work

We've got just one month left to get ready for Thin Ice Theater's production of The Phantom Tollbooth.  Costumes have been designed, sewing is in progress, with many moms lending their hands and sewing skills to the process.

Today was set aside for creating miners' hats for the workers in the numbers mine of Digitopolis.  My costume assistant Cheryl and I made our game plan, and in two hours, voilà, all done!  The idea grew bit by bit between us:  plastic hardhats plus cat food cans plus Mardi Gras beads.  Here's how our afternoon went.

The cat food can.