Magic Vine

This is the Magic Vine quilt I was working on in the photos in my previous post.

When a picker brought the top into the antique quilt gallery where I used to work, I fell in love with it immediately.  All the appliqué was completed, excepting the corners of the borders which were basted in place.  The backing fabric was folded in along with the top.  It was a total no-brainer for me to buy it, especially since green is my favorite color.

All I had to do was attach the borders to the center panel, baste it up, and start quilting.

Me and the Magic Vine

Today, I came across these photos that I meant to use and never have.  They were taken a couple of years ago now, by Raimonda Daras.  I was demonstrating hand quilting at the annual Fine Art of Fiber show.  It's a wonderful event - the weavers, quilters, and needlework guilds all participate, and we pretty much take over all the exhibit spaces at the Chicago Botanic Garden.  

This quilt is an antique top that I bought many years ago.  I save it for those times when I need a demonstration project, so it has been in progress for a very long time now.  

The Importance of Being Earnest

So, the wonderful performances of "The Importance of Being Earnest" are over, the costume pieces are soon to be sorted and put in their appropriate boxes, and I will share a few of the stories of how we put some of the outfits together for this show.

Costume Sketches

Coming up this weekend at Thin Ice Theater is Oscar Wilde's "The Importance of Being Earnest."  I am serving this time as costume designer and coordinator.  

A few years ago, I started making little costume sketches as we create the costumes.  It's a good way for me to visualize color balance or conflict, what outfits will be seen together and such.  Once we get into the dress rehearsal period, the sketches can be very useful in the dressing room to keep actors and helpers aware of all the pieces that go into each outfit.

Friendship and Flowers

Here's a cheery quilt, made in the late 1930s or the 1940s.  The pattern name is Friendship Dahlia.  

There's an overall quilt pattern called Dahlia, very complex and not a beginner's quilt by any means.  Maybe this block got its name because it's much, much easier and friendlier to make!

Let's Party, aka Shoe Repair

Here's a lovely, glitter and rhinestone shoe, just perfect for ringing in the New Year at some ritzy, glitzy party.  

The only problem with this plan is that one of the straps has got some loose rhinestones.

Lattice Sleeves

Here's a truly lovely gown.  The combination of the beautiful rose fabric and the tons of detailing makes for a very special dress.

Julia brought it to me because the netting inside the lattice sleeves was quite tattered.  It used to give the sleeve its shape, holding the lattice in a puffed sleeve shape, instead of letting it just hang down.

Horton Hears A Who

We (Thin Ice Theater) have just completed our second annual Dr. Seuss class. Last fall we presented The Cat In The Hat.  This year - Horton Hears A Who.

The format is designed to introduce young kids, ages 5 - 10 or so, to all aspects of play production.  Dr. Seuss stories are a great introduction to the theater.  The rhyming lines and rhythm help young actors with memorization.  And actually, the style is very much like Shakespearean scripts, so this is really a first step towards working with the Bard's great plays.

Little Stones p.s.

p.s.

The very next day, after I wrote about Ze Frank and the online art he is experimenting with, he posted this.  There is going to be an exhibit of the works that he and his online community have created over the last few months at the Santa Cruz Museum of Art and History.  In this posting, he shows bits and pieces of some of the art, so it's a good way to take a peek at what's going on, if you feel so inclined.

Pretty cool!

Little Stones

Poking around in quilty blogs one day, I discovered Jude Hill.  I was immediately enchanted with her artistry, her photography, the ambiance of her posts, and her approach to her artwork.

Reading on, I discovered that one of her projects includes collecting small pieces from her readers that will eventually be included in her artwork.  I am really intrigued by this concept of using the internet as a tool or medium in creating art, not just as a static means of communication and information overload.

Crepeline

Crepeline is a super, super fine silk that is used by conservators to protect and stabilize worn textiles.  I buy both the natural and the brown.  You can see that, while they change the color of my hand a bit, they are still incredibly sheer.  The words "gossamer" and "fairy wings" come to mind.

That Old Italian Block

Although it sounds more like someone searching their memory for the right words, that truly is the name of this quilt pattern, "Old Italian Block".

The owner of this quilt had been told that the name is Corn and Beans, but it's really not like any of the blocks by that name in Barbara Brackman's Encyclopedia of Pieced Quilt Patterns.  In the Encyclopedia, Brackman documents the Old Italian Block as a Nancy Cabot pattern.  It sometimes was used for signature quilts, with the name signed on the center square.  Why "Italian"?  I don't know.  Maybe it was inspired by a tiled floor that a quilter saw on her trip to Italy...

Black Bugle Beads

It's always a treat when I get something to repair that I really love looking at.  This dress is one of those treats.  It's a "little black dress" with extra flair - beaded trim at the neckline and the one asymmetrical pocket.  

Quite a few of the beads were missing, especially those decorating the pocket.  I bought a tube of matching bugle beads - how lovely to have such a basic bead so that I could find an exact match.

Here's the step-by-step of the bead replacement.  

Buttons, Buttons, and Cats

Well, here is an actual, completed project using some of the myriad of buttons I have been acquiring.  Yea!

This little piece has a story.  Of course.  My friend Gloria gave me her mom's button box.  Her mom was a super accomplished seamstress, with tons of various skills and talents.  I decided right away that I needed to make some sort of memorial piece for Gloria, to celebrate her mom and her love of sewing.

Something From Nothing

Several years ago, I was contacted by an interior decorator who was clearing out her studio.  She wondered if I'd like her old fabric samples.  "Sure!" I said, never one to turn down a gift of cool fabric.  I drove over to her place, and discovered that she had enough to fill my trunk.  Wow.  

I brought it all home, sorted it out, gave what I didn't think I'd ever use to a grade school art room, and piled the rest into a big plastic storage bin.  

And there it sat for a few more years, until my kids grew up and there began to be more time for art.  What with parenting and repairing quilts, I hadn't done much play for the sake of play for quite a while.