Virtual Quilt Repair Workshop - Registration is Open!

Taking good care of antique and vintage quilts is taking good care of family, textile, and social history. It’s a wonderful journey! 

My next workshop will be held January 27 - February 24 2024, on 5 consecutive Saturdays.  All the details and registration are on my website.  If you have questions, contact me here or at annquilts@comcast.net. 

Restoration

Conservation

Preservation

Philosophy

 

Techniques

Supplies 

Each student can present one (or two if time allows) quilts for discussion of how, when, and why to use the various supplies and techniques. All eras and styles are welcome.  This will be our own mini quilt show, with lots of interesting history to discuss!

I have 40 years of experience to share. The workshop is appropriate for quilters, appraisers, collectors, and the keepers of family heirlooms. I'll guess some of you belong to several of those categories at once!

 

Serendipity - At the Center of It All

The title of this quilt describes the inspiration and process of its design, and also a great way to approach Life.

Serendipitous - occurring or discovered by chance in a happy or beneficial way.

I've discovered that I like working on more than one quilt repair job at a time.  It keeps things more fun!  So I had fabrics for two quilts on my table and decided that I really loved the combination - a deep golden yellow and a bright magenta.

One quilt was a string quilt, a memory quilt with fabrics from a mother's blouses.  The other was a vine and ribbon design, that had been made in Hawaii.   You can see both quilt repairs in progress on this video. 

 

Virtual Quilt Repair Workshop - Registration is Open!

Taking good care of antique and vintage quilts is taking good care of family, textile, and social history. It’s a wonderful journey! 

Preserving Our Quilt Legacy Virtual Workshop

My next workshop will be held January 27 - February 24 2024, on 5 consecutive Saturdays.  All the details and registration are on my website. 

We will cover many aspects of the process.  Restoration, conservation, and preservation.  Finding patching fabrics, which includes gaining knowledge of the history of fabric printing and dyeing.  Learning about needles, threads, and other tools of the trade.  Learning stitches and tips for well-sewn patches.  Learning how to choose what and how much to do, including when to repair and when not to.

Each student can present one (or two if time allows) quilts for discussion of how, when, and why to use the various supplies and techniques. All eras and styles are welcome.  This will be our own mini quilt show, with lots of interesting history to discuss.

I have 40 years of experience to share. The workshop is appropriate for quilters, appraisers, collectors, and the keepers of family heirlooms. I'll guess some of you belong to several of those categories at once!

Please comment here or email me if you have questions!

 

Quilt Repair Tidbits #4

Quilt Repair Tidbits.  The next (somewhat) weekly installment of quilt repair tidbits and photos.

This week’s tidbit:  A hand-me-down set of vintage/antique Mosaic/Grandmother’s Flower Garden blocks.

I’ll be teaching a virtual quilt care and repair workshop in winter 2024.  One thing I’ll be talking about is learning how to tell the age of the fabrics in old quilts.  These blocks have a secret key to their age. 

All the info about the workshop is on my website.  And you can email me to be added to the interest list for notification when registration opens.

So, about the blocks.  The fabrics in the center date to the third quarter of the 1800s.  The outer ring, though, was mysterious.  The print reminds me of a maternity dress I made in 1990, nothing like  the 1860s-70s prints. 

The blocks were English paper pieced, and the outer ring still includes the paper hexagons.  Many of them were cut from a newspaper.  There are papers that give fun glimpses of life at the time those hexies were pieced (my mother adored Maurice Chevalier), and place the blocks, at least the final ring, in Chicago.  Also, notice the tiny and neat whip stitches that join the hexies.

Several of the papers, like this one, refer to events in 1932, which handily dates the curious outer ring.

And the fabrics!  Glorious!  The delicate etching of the prints.  The pairing of tomato soup red with a greyed medium blue.

You can see lots more photos of these blocks on my blog.

So these blocks have had two phases of construction over the course of the last 150 years or so, and still no one has joined them together.  (And I think that the outer print looks still more modern than what newspapers are telling me!)