Flower Power

I seem to have crossed some sort of invisible line.  I'm starting to get "old" quilts for repair that are full of fabrics just like the ones I actually remember wearing.  I'm still not quite able to conceive of this shift in things. When I started learning about and repairing antique quilts, it was the 1980s.  Generally the most recent things I worked on were about 40-50 years old, made in the 1930s and '40s.  Well now, people are still bringing me quilts that are 40-50 years old, but that now places them in the 1960s or '70s.  Those were my coming-of-age decades.  I seem to have been here on the Earth for quite a while now.

Here's a walk down memory lane for people of the same vintage.  The quilt belongs to a friend of mine, made by her grandmother, and containing scraps from making the clothes of her childhood.

Crazy Quilt at Home

A couple of months ago, I wrote about repairing a crazy quilt.  The owner kindly sent me a photo of the quilt as it is now hanging in his home.

Its companion, a log cabin, is also quite nice, with the juxtaposition of the clear, bright pastels and white.  They are two such different quilts, and yet make a pleasant pairing.  This is what makes quiltmaking such an appealing craft, I think - the wide, wide variety of styles and techniques and design potential.

Note that they are hung in a stairwell, probably not ever subjected to direct sun, and probably not even bright sunlight.  This will help preserve the colors and the strength of the fabrics.

The tiny bit of the quilt hung over the bannister is quite tantalizing, don't you think?

Embroidered Garden

Here's a crazy quilt with some very intricate and very fanciful embroidery.  This quiltmaker was really fond of swirly, trailing vine designs, and so am I, so I'm totally smitten with this quilt.  And as the owner pointed out, the stitching is incredibly even and neat.  This was made by a lady who really loved her needle and thread.

To make it even sweeter, it is a family quilt, and has lovely family history attached.  And then, even better, it has an embroidered dedication and date:  1905.

Crazy Repairs

Repairing crazy quilts.  Well.  These are pretty difficult to work with, in my estimation.  Hence the title of this post!

Most often, the problem is what are called "shattered" silks.  This is disintegration caused by the dyes and processing that were used on the silks in the late 1800s and into the beginning of the 1900s, basically in the Victorian era.  Metal salts were added, both as mordants on the darker dyes, and to add that famous silk rustle, and to make the silks heavier since they often were priced by the pound.  (So you see, there have been unscrupulous businessmen around for a long, long time.)

The problem is that there is no way to reverse or stall this damage.  Keeping the quilt out of the light and in even temperature and humidity can slow it down, but that is the best deal you're going to get.

Another problem is the lovely embroidery.  The fabric under the embroidery can't be replaced unless the fancy stitches are removed and then re-embroidered after the patching.

The more I work on these beautiful, jewel-like quilts, the less and less I choose to do.  

Here's one technique that I use.