La Grange Community Quilt

This quilt was made in 1979 to celebrate the 100th anniversary of La Grange, IL, a western suburb of Chicago.  

It hung in the La Grange library for quite a while, and then was in storage during and for a while after the library's move to a new building.  The library is now ready to hang the quilt again, and they contacted me to help spruce it up.

Favorite Quotes # 10 - Simple Things

"Some of the greatest poetry is revealing to the reader the beauty in something that was so simple you had taken it for granted."
- Neil deGrasse Tyson

Nature's Perspective - 1989 - 107" x 81"

I heard this line in the midst of a long, rambling interview I was watching online.  I backed up over the spot and wrote it right down.

I would expand the concept to all art, not just poetry!  Certainly for me, this has been a theme to my art making, though I have never realized it or expressed it so clearly.

I love experiencing art as a way to see more clearly.  I think art is truly art at its best when artist and viewer meet at that place of clarity and inner knowing, a place where they recognize and acknowledge each others' humanity and each others' spirits.  That to me is a great definition of beauty.

And these meetings are not predictable.  I like that I will never really know how and which of my quilts will impact which viewers.  Sending a particular message is not the reason I make quilts, that's for sure.

The image for Nature's Perspective came to me while driving home through Wisconsin farmland at dusk.  I felt like I was almost flying over the landscape, and the land was like a billowy quilt, tacked down at the corners by the farm building and the occasional trees.

But the most meaningful comment I had on this quilt was from our friend Jon.  He said it perfectly represents a vision that had always intrigued him - that the sky is so smooth and uniform while the earth below is so varied and dimensional.  Sure 'nough, he's right!  But that concept had never entered my mind while designing the quilt.  That conversation taught me a lot about art.

Actually, I get a bit perturbed about writers who try to define what "Art" is in discussions about whether art needs to be beautiful, or needs to have social commentary, or needs to be shocking and cutting edge, or needs to be created in a perceptible series that experiments around a theme (as I was told in a quilt design workshop years ago), or needs to be in fine art media, and so on and on and on.

In my world, Art is what someone is drawn to create, and Art is what gives someone else a satisfying experience.

Details about how the quilt was made:
The sky is half a Sunburst pattern.
The farms are Prairie Queen and Corn and Beans blocks.
The farm buildings are black felt.  The glowing windows and the trees are embroidered.

Due to the perspective, there are no two templates exactly alike.  My husband the engineer helped with the drawing and figuring.  Every template was numbered and marked for right side and top.  It was quite a serious undertaking!  I have never made such a large and complex art quilt before, and have no plans to do so again!

A Room of Her Own

"A Room of Her Own"

2015

32"x32"

I just completed this wall quilt!  It was commissioned by a wonderfully thoughtful husband in honor of his wife's milestone birthday.

It is inspired by a quilt I made 1999, called "Memories of Spring" (21"x19").

He liked the airy, dreamy, and old-fashioned homey look of the quilt.  He asked for a larger piece with personalized references to the things his wife loves and to their family.  The idea grew from there, with both of us making additions to the contents of her "room".  Here's the initial sketch.

Antique Grandmother's Flower Garden Blocks

 

Recently, I received my second fantastic quilt history gift of the year.  A friend's neighbor was moving, had some quilt blocks she didn't want to keep, and they made their way to me.  They are super lovely!  There are 35 of them.  Hexagons are 1 5/8".

(The 5-part story of the first gift, a late 19th century quilt full of names and stories, begins with Part 1.)

What makes the blocks particularly fun is that the outer row of hexagons still has the newspaper patterns.  So I read them all, searching for provenance information - and found it.

 

A House, A Book, Zippers, and Buttons

I popped in to an estate sale at this historic register house near my neighborhood as much to visit the house as to shop.  The house was built in 1860, with a single story addition just visible on the side that was built in the 1950s.

The previous owners had collected wonderful antique furniture and accessories.  Their daughter was there and said her parents had moved there after their children moved along, and lived there for 30 years.  The house is in great condition, small rooms, loads of wood.

Missouri Daisy

 

I received an email query about the name of this quilt block.  I've seen flower blocks with gathered petals before, but usually the gathered pieces are rounded not straight-edged like these.

I did find a block with this shape petals in Barbara Brackman's Encyclopedia of Quilt Patterns.  It's called either Golden Glow (if it's made in gold and white) or Missouri Daisy.  Both were published in the 1930s. 

The similar block with rounded petals has been published as Missouri Daisy, too, and also as Star Flower, Sunflower, or Star Dahlia.

The range of fabrics looks like the blocks were made from the proverbial "deep scrap bag."  I think I see fabrics from the1930s, maybe even a few from the 1920s, through the 1960s!

The stories this woman was telling me during our discussion were so entertaining that I asked her if she'd like to share them on my blog.  These are her words (several e-mails edited together by me for flow) and her photos. 

Scavenging Fabric

I accomplished a long overdue task - sorting my filing cabinet and culling out the ancient Stuff!

In amongst it all I found a set of swatches I'd ordered umpteen years ago, late 1980s or early 90s I bet, from a place that sold reproduction or vintage-looking fabrics.  The store's been out of business for years and years now.

So I put 'em all in a net lingerie bag, and put 'em through the wash.  And then ironed them one by one, and sorted into color families.  That part took a bit of time, but hey, I'm still in a summer mindset when everything's supposed to be a bit lazy and laid back, right?

And besides, now I have loads of little bits that one day might be just right to patch a scrappy quilt with small-ish patchwork, a Grandmother's Flower Garden for example. 

One never knows what will come across one's path.  This has always been my reasoning, ever since starting out in the repair biz, for having a roomful of fabric and always saying yes to pretty much all the interesting bits that "show up".  Makes sense, right?

The only problem is contemplating the fact that fabric I actually purchased is now entering the category of "vintage".  I guess it happens to us all eventually!