New Quilts

I'm so excited!  Over the last couple of months, I've finished 6 new quilts for my Something From Nothing series.  And I have 4 more in varying stages of design and stitching.  I am bound and determined to get this series to a place that feels like completion.

The series is made mostly with decorator fabric samples, plus other bits and pieces of otherwise unwanted fabrics.  You can see the whole series on my website and the stories of making some of the quilts here on the blog.

Here are the newbies:

4 By 4

14 1/2" x 14 1/2"

Formal Wear Quilt: BowTies and Tuxedos

This quilt combines many of my criteria for a wonderful quilt - it has a creative design, a great story, and it's signed and dated!

Dressing Downton

 

My friend Mary and I had the absolutely best day at the Dressing Downton exhibit.  We saw costumes from the series on display at the Driehaus Museum.  The Driehaus is in a huge stone mansion just off the Magnificent Mile in Chicago.  It provided the wonderful, wonderful clothing with the perfect setting - an American counterpart of the upper-upper crust life that was showcased on the series.  Mary and I treated ourselves to the scrumptious high tea served in a most amazing hall within the mansion.  I just can't find enough superlative adjectives for the day we had!  Honestly, I just can't stop looking at these photos.  Wooooo!!

The gowns on the left and right in this photo were worn when the Downton ladies went to court and curtsied to the King.  There were strict rules about what was to be worn, such a headdress with three white Prince of Wales plumes and a short train.

Favorite Quotes #12 - Essence and Limitation

 

"Objectivity is of the very essence of photography, its contribution and at the same time its
limitation...."

I found this quote in the description of the current retrospective of photographer Paul Strand's work at the V&A Museum in London, and love the connection he drew between essence and limitation.

I consider this to be a very magical photo.  I took it for the marvelous sunset sky.  Only later did I see that in that little triangle of light between the bushes at the center there is a man sitting on a park bench, also enjoying the view.  The objectivity of the camera lens created its own essence!

For me, I really enjoy the challenge of working within limits.  I know some artists don't do commission work because of the size or design limits that customers can require.  Not me.  And I always love a great collection of challenge quilts or a show requiring a clear theme - the amazing variation within limits is a real testament to creativity.

History Comes to Life on a Quilt - Part 6 - Delving Deeper

The amazing saga of this quilt continues.  My research into the names inscribed on this quilt showed that it was made between 1897 and 1898 in Melrose, MA.  Reading between the lines of the census records has built up a fascinating glimpse into the era.

The first five chapters of the saga are:
Part 1 - background and start of my search for the details of its history.
Part 2 - how I narrowed down the dates, and some of the interesting family stories. 
Part 3 - the story of the Phinney, Dyer, and Hersey families. 
Part 4 - general observations on life in the late 1890s. 
Part 5  - research summary.
I've written a little aside about the fun of being able to look at original records online.
And, since the quilt did initially come to me for repair, and I did eventually stop reading census forms and do the repair work, and wrote up the techniques and choices involved.
And then I went back to the research, and continued to find lots of great information.
And also, a summary on the occasion of the exhibit about the quilt, December 2018, in Melrose.
After the events, I described the homecoming experience and the exhibits, and wrote about the little quilt I made that was inspired by the historical quilt.  And a set of summaries of the data and stories that brought the quilt to life.  And a very astonishing coincidence with another quilt and a family tree.  I was given a photo of one of the people named on the quilt. 

During the height of my research process, I received an order for my quilt repair book (link to the book is on the right, by the way) from a woman who lives in Melrose!

I sent a surprise note tucked into her copy of the book, and we have since talked about the quilt.  She sent me a link to book about Melrose that was written just a few years after the quilt was made - The History of Melrose, County of Middlesex, Massachusetts, by Elbridge H. Goss, published 1902.

Not Too Shabby

From my last couple of weeks of sewing!  

I ended up by chance using lots of nearly empty spools, so my little collection here looks super good!

A couple of these indicate quilt repair quantity and progress.  Also, I will soon be unveiling some new Something From Nothing quilts, once a couple more are done and we have a photo session. 

What do you do with your empty spools?  I always think they could build a nice futuristic city model. 

Vintage 1950s Fabrics

Every now and then, the most exciting thing about a quilt is on the back!  This collection of fabric prints and colors could be considered iconic of the era.

A 1950s string quilt came to me for repairs.  The back was also pieced, using rectangles of many sizes and shapes.  Some of the fabrics are totally iconic of the 1950s.

Here's the full shot of what I'm calling "The Liberace Print":