Lovely Victorian Log Cabin

 

This quilt exemplifies why people are drawn to the silk and velvet quilts of the Victorian era, don't you think?  Rich glowing colors and shiny fabrics.  It's all about the fabrics!

The counterpoint of the black vs. color makes the strong visual impact that quilt collectors love to see.

The logs are mostly silks.  They are about 1/2" wide, though you can see that it's not precision piecing - they do wobble a bit.  This makes me happy.  It says to me that a quilter doesn't need to lose the fun of fabric and color by stressing over precision (unless precision makes her happy) and can still make a stunning quilt.

An Amazing Day at an Auction ~ Quilt Rescue!

 Beautiful Windmills, 1930s;  lovely, fine quilting.  

Tried hard to win, but lost to the antique dealer.

What follows is a guest post by one of my readers.  I think of it as a cautionary tale about what wonders can be lost without a bit of research into the proper care of antiques.  She had the good luck and good sense to help rescue an amazing and amazingly mistreated quilt collection.  I am grateful to her for the time she has taken to share her story here.  (The photos were taken when the quilts were on display, before the "disaster".)

After reading this sad tale, I hope you'll join me in thanking her for giving it the happiest ending possible.

Cycle of the Seasons Quilt

Long, long ago (early 1980s) in a design workshop taught by Nancy Halpern, I designed a pieced tree block that I called "Timberline."  I made a set of 4 small pieces, one for each season. 

A bit later, I redrafted the trees to make an octagonal quilt that can rotate as the seasons cycle through the year.  It's been hanging in my upstairs hallway and turning to mark the seasons for nearly 30 cycles.  In this format, I call it "To Turn, To Turn."

My Magical Magic Vine Quilt Is Done!!

So here's the story of a UFO (UnFinished Object) that on Sunday June 12, 2016, officially became a Finished Object......after about 8 decades!

I bought the 1930s top at an antique store in the 1980s.  It was quite a find!  The applique artistry is amazing, it came packaged with more of the same green fabric that was intended for the back, and green is my favorite color.  I decided to do a bang-up job of quilting to honor the wonderful work of the anonymous woman who started the quilt.  Since the 80s, it has been the quilt I take with me when I demonstrate hand quilting and talk about antique quits. 

So I've worked on it just a few hours at a time, just a few times a year.  In the meantime, I've raised two kids and done tons of other quilting and sewing.  A couple of years ago, I decided it was time to actually put some focused hours into it, quite honestly, so the poor thing wouldn't end up for sale again as a UFO....

Stories of Migration: Contemporary Artists Interpret Diaspora

Robert Bein, "Boat Travelers" (detail), 2015.  The George Washington University Museum.

This exhibit sounds great! 

Stories of Migration: Contemporary Artists Interpret Diaspora
https://museum.gwu.edu/diaspora

"In this timely exhibition, forty-four artists share personal and universal stories of migration—from historic events that scattered communities across continents to today’s accounts of migrants and refugees adapting to a new homeland. Co-organized with Studio Art Quilt Associates (SAQA) and with assistance from George Washington University’s Diaspora Program in the Elliott School of International Affairs."

Here are the exhibit details:

Through Sept 4, 2016

The George Washington University Museum and
The Textile Museum

701 21st Street, NW
Washington, DC 20052
Phone: 202-994-5200
museuminfo@gwu.edu

The artworks from this exhibit shown on the website are very powerful images. They are inspirational on both levels of creating art and of celebrating the human spirit in the midst of trauma.

Over the last couple of years, I have been gradually gathering information on my father's and uncle's escape from Germany in 1939 and on the other members of my family who were killed in the Holocaust.  I'd never considered making a quilt about them all!

The photo below was probably taken about 1915.  The little boy on the left is my dad.  In September 1939, he sailed out headed for New York City on the ill-fated British ship the Athenia, which was torpedoed by a U-boat on the day that England and Germany declared war.  He was rescued from the ocean the next morning by a merchant marine ship.  Neither of my grandparents were able to leave Germany in time, and most of their siblings perished as well.

Time To Celebrate!

Last night at about 11:30pm, this happened:

A great, excitingly, BIG number of pageviews!

Thanks to everyone, from my offspring and good friends who urged me to start blogging, to all the folks who visit and follow my pages!  I've ended up really enjoying writing and sharing about the quilts and quilt history that come across my path.  

Redwork

This redwork embroidered quilt needed a bit of repair and a vacuuming after many years on display.

The binding had torn away at the bottom.

I mended that by patching on the back, and then reattaching the binding with a herringbone stitch that went through to the new patching fabric.