Starry Quilt

Here's a lovely star quilt, probably made in the last decades of the 1800s.  

I've seen this pattern called "Blazing Star" or "Star of Bethlehem".  This pattern has a long history as a favorite.  Barbara Brackman's Encyclopedia of Quilt Patterns lists many other names.  Along with flowers, quilters seem to have always been very fond of stars!

Beading on A Little Black Dress

This otherwise basic little black dress gets most of its personality from the wonderful trim at the front neckline.  

Gathered fabric strips outline some subtle beading with iridescent blue beads - bugles, seed beads, and sphericals - and tiny rhinestones.  

Here's a Reason to Get Married

Oh, such a beautiful wedding dress!  When my friend Julia brought it to me for fixing, she said, "Doesn't this dress just make you want to have another wedding?"  Yep, Julia, it sure does!

Here are the wonderful fabric roses and the beading around the skirt.

Couldn't be more gorgeous!

Puppies, Kitties, A Lamb, and A Duckling

Here's a sweet vintage crib quilt, a special family heirloom.

I asked the owner if she would share the story of the quilt:

Davis Vertical Feed Sewing Machines

As I said in the previous post, I've been having a great time looking and reading my way through Janet Finley's book of antique photos, Quilts in Everyday Life.  

Last night, I read about something completely new to me, the Davis vertical feed sewing machine.  The photo in Finley's book shows a mother and her little daughter sitting at a Davis machine with a 4-patch quilt.  Finley dates the photo to 1895-6.  It is labeled by a photo studio in Afton, Iowa.

So I poked around this morning to see what I could learn.  "Vertical feed" means there are no feed dogs.  The fabric is advanced by the action of the needle and presser foot.  The Davis machine was patented and came into production around the same time as the early Elias Howe and Singer machines.  It's touted as being able to sew cleanly without pre-basting, to sew all sorts of various thickness of fabrics including leather very well, etc.  It looks like the company produced machines between 1868 and 1924 or so.  They are treadle machines.

Quilts in Everyday Life

Quilts in Everyday Life, 1855-1955: A 100-Year-Photographic History by Janet E. Finley

(I have no connection with the author or publisher at all, just thought I'd say it's a dandy book.)

I think I heard about this book via the Quilt History List.  I took a peek at it, and was sold on it right away.  It presents items from Janet Finley's huge collection of antique photos that include people and quilts.  So cool for me!  Quilts, clothing history, and social history all combined in one handy book!  The changing ambiance of the photos over time gives such a wonderful view into the "march of history" on all sorts of levels.

Not only that, the glimpses into homes and private scenes and street scenes are all very touching as well as factual.  It feels right somehow, to look into these old, old faces, many of them now anonymous, and give these people some recognition and credit for a life well-lived.  Personalities are sometimes very apparent, from sedate to out-of-the-box.  And, some of the folks are identifiable, and do have some pretty fun stories attached.  

It's like having a little peephole into daily life of long ago.  I'm always so curious about what the past was really like.  It's something we can't ever know, unless someone does invent time travel.

There's also a lot of photography history information.  It's not a topic I know much of anything about, but I do have some old family photos, some dating back into the 1800s, and I'm inspired now to pull them out and see how they fit into the info in this book.

Here's a review, from the Denver Post.  And here's another review, from the Why Quilts Matter blog.  This one will give you a couple of sneak peaks inside the book.  (Why Quilts Matter is a documentary series produced by the Kentucky Quilt Project.  I also have no connection with W.Q.M., but would also recommend viewing the series to add to your quilt history knowledge.)

I'm so grateful that Janet Finley collected all these photos, and now is sharing them with all of us!

My New Friend

She was rescued from the bottom of a bag of unwanted linens at an estate sale.

I'm guessing, going by the print on her robe, that she was made around 1970 or so.  She has a little bit of an attitude, and I was celebrating the new year by only doing things that I don't have to do, so I decided to spiff her up.

Book Review: Build Your Best Log Cabin

Log Cabin block, Barn Raising setting

I'm starting out the new year by doing something new.  I was invited to write a book review for an ebook about log cabin quilts by Fons and Porter's Love of Quilting.  I've never written an official book review before.  So here goes:

Magic Vine

This is the Magic Vine quilt I was working on in the photos in my previous post.

When a picker brought the top into the antique quilt gallery where I used to work, I fell in love with it immediately.  All the appliqué was completed, excepting the corners of the borders which were basted in place.  The backing fabric was folded in along with the top.  It was a total no-brainer for me to buy it, especially since green is my favorite color.

All I had to do was attach the borders to the center panel, baste it up, and start quilting.

Me and the Magic Vine

Today, I came across these photos that I meant to use and never have.  They were taken a couple of years ago now, by Raimonda Daras.  I was demonstrating hand quilting at the annual Fine Art of Fiber show.  It's a wonderful event - the weavers, quilters, and needlework guilds all participate, and we pretty much take over all the exhibit spaces at the Chicago Botanic Garden.  

This quilt is an antique top that I bought many years ago.  I save it for those times when I need a demonstration project, so it has been in progress for a very long time now.  

The Importance of Being Earnest

So, the wonderful performances of "The Importance of Being Earnest" are over, the costume pieces are soon to be sorted and put in their appropriate boxes, and I will share a few of the stories of how we put some of the outfits together for this show.

Costume Sketches

Coming up this weekend at Thin Ice Theater is Oscar Wilde's "The Importance of Being Earnest."  I am serving this time as costume designer and coordinator.  

A few years ago, I started making little costume sketches as we create the costumes.  It's a good way for me to visualize color balance or conflict, what outfits will be seen together and such.  Once we get into the dress rehearsal period, the sketches can be very useful in the dressing room to keep actors and helpers aware of all the pieces that go into each outfit.

Friendship and Flowers

Here's a cheery quilt, made in the late 1930s or the 1940s.  The pattern name is Friendship Dahlia.  

There's an overall quilt pattern called Dahlia, very complex and not a beginner's quilt by any means.  Maybe this block got its name because it's much, much easier and friendlier to make!

Let's Party, aka Shoe Repair

Here's a lovely, glitter and rhinestone shoe, just perfect for ringing in the New Year at some ritzy, glitzy party.  

The only problem with this plan is that one of the straps has got some loose rhinestones.

Lattice Sleeves

Here's a truly lovely gown.  The combination of the beautiful rose fabric and the tons of detailing makes for a very special dress.

Julia brought it to me because the netting inside the lattice sleeves was quite tattered.  It used to give the sleeve its shape, holding the lattice in a puffed sleeve shape, instead of letting it just hang down.

Horton Hears A Who

We (Thin Ice Theater) have just completed our second annual Dr. Seuss class. Last fall we presented The Cat In The Hat.  This year - Horton Hears A Who.

The format is designed to introduce young kids, ages 5 - 10 or so, to all aspects of play production.  Dr. Seuss stories are a great introduction to the theater.  The rhyming lines and rhythm help young actors with memorization.  And actually, the style is very much like Shakespearean scripts, so this is really a first step towards working with the Bard's great plays.

Little Stones p.s.

p.s.

The very next day, after I wrote about Ze Frank and the online art he is experimenting with, he posted this.  There is going to be an exhibit of the works that he and his online community have created over the last few months at the Santa Cruz Museum of Art and History.  In this posting, he shows bits and pieces of some of the art, so it's a good way to take a peek at what's going on, if you feel so inclined.

Pretty cool!

Little Stones

Poking around in quilty blogs one day, I discovered Jude Hill.  I was immediately enchanted with her artistry, her photography, the ambiance of her posts, and her approach to her artwork.

Reading on, I discovered that one of her projects includes collecting small pieces from her readers that will eventually be included in her artwork.  I am really intrigued by this concept of using the internet as a tool or medium in creating art, not just as a static means of communication and information overload.

Crepeline

Crepeline is a super, super fine silk that is used by conservators to protect and stabilize worn textiles.  I buy both the natural and the brown.  You can see that, while they change the color of my hand a bit, they are still incredibly sheer.  The words "gossamer" and "fairy wings" come to mind.

That Old Italian Block

Although it sounds more like someone searching their memory for the right words, that truly is the name of this quilt pattern, "Old Italian Block".

The owner of this quilt had been told that the name is Corn and Beans, but it's really not like any of the blocks by that name in Barbara Brackman's Encyclopedia of Pieced Quilt Patterns.  In the Encyclopedia, Brackman documents the Old Italian Block as a Nancy Cabot pattern.  It sometimes was used for signature quilts, with the name signed on the center square.  Why "Italian"?  I don't know.  Maybe it was inspired by a tiled floor that a quilter saw on her trip to Italy...

Black Bugle Beads

It's always a treat when I get something to repair that I really love looking at.  This dress is one of those treats.  It's a "little black dress" with extra flair - beaded trim at the neckline and the one asymmetrical pocket.  

Quite a few of the beads were missing, especially those decorating the pocket.  I bought a tube of matching bugle beads - how lovely to have such a basic bead so that I could find an exact match.

Here's the step-by-step of the bead replacement.  

Buttons, Buttons, and Cats

Well, here is an actual, completed project using some of the myriad of buttons I have been acquiring.  Yea!

This little piece has a story.  Of course.  My friend Gloria gave me her mom's button box.  Her mom was a super accomplished seamstress, with tons of various skills and talents.  I decided right away that I needed to make some sort of memorial piece for Gloria, to celebrate her mom and her love of sewing.

Something From Nothing

Several years ago, I was contacted by an interior decorator who was clearing out her studio.  She wondered if I'd like her old fabric samples.  "Sure!" I said, never one to turn down a gift of cool fabric.  I drove over to her place, and discovered that she had enough to fill my trunk.  Wow.  

I brought it all home, sorted it out, gave what I didn't think I'd ever use to a grade school art room, and piled the rest into a big plastic storage bin.  

And there it sat for a few more years, until my kids grew up and there began to be more time for art.  What with parenting and repairing quilts, I hadn't done much play for the sake of play for quite a while.

And While We're Visiting the 1950s....

Yesterday, with the poodle skirt blog in process and my mind in the 1950s, I found myself using my vintage Sunbeam Mixmaster while making dinner.  It was a wedding gift to my parents who got married in 1949.  

It's still going strong.  A couple of years ago, I sent it to the vintage mixer "spa" for an overhaul.  I've got no affiliation or anything, but if you have a vintage mixer, you will really enjoy this site.  I love my oldie-but-goodie mixer, and was delighted to find someone who could give it lots of TLC and keep it humming along.  I feel like Phil's mixer business is much like my quilt business, caring for cherished items that often hold lots of history and memories, and are generally just very cool.

I have so many memories of being small enough to sit on the counter next to this mixer and help my mom make cookies and cakes by adding bits of the ingredients as the blades whirled and the bowl spun slowly around.  I found it fascinating to watch each new ingredient spiral into the mix and eventually blend in.  Not to mention the fun of eating the delicious end products.  Ahhhh.....

Poodle Skirt!

Here's a really-truly poodle skirt, the iconic fashion item of the 1950s.  I did some repair work on it for the Basya Berkman Etsy shop.

It's a traditional felt circle skirt with appliquéd poodle.  Super simple construction - a big circle of felt plus waistband and side zipper - no hem needed since the felt doesn't ravel a bit.  No wonder they were such a popular style!  The thread attaching the waistband was wearing out, so my job was to restitch that and now it's ready to rock'n'roll again.

Overhaul

This weekend, my sewing time was devoted to starting to sort and unearth things in the super, over-the-top, clutter in my sewing room.  

For a long time, I've been looking for a replacement for the little plastic drawers that are home to notions, tools, floss, and embellishments.  They are so full that, as you can see, they are no longer functional at all.  I scored this lovely little drawer unit at an estate sale.

(Of course, part of the reason those drawers are so full is that I keep picking up odds and ends and extra needles and snaps and a really cool old wooden darning egg, etc., etc., etc., at those great estate sales.....)

The Race to the Top

Last night, my refrigerator quilt post overtook the beaded wedding dress in number of visitors.  It now sits in the place of honor to your right as one of the top six most popular posts on my blog.

I'm really enjoying watching the statistics of page views and readership.  I'm closing in on 7000 views since my blog was born, not a huge number in the world of the internet, but it sounds really big to me.  And the count of countries represented is currently a whopping 51.  That's the stat that makes me the happiest!  I feel like I'm sitting here watching the planet shrink.

And now, I'll go back to work, so I can have more wonderful things to post about.  Today I'm working on a batch of vintage clothing repairs, and a customer just delivered a wonderful early 1800s era quilt for repair work.  I will have much to say about that one.

Canadian Couture

Here's a skirt I've repaired for Basya Berkman Vintage Fashions.  My friend Julia, who researches the clothing she sells there, told me to check out the interesting story behind this piece.  

1900 crazy quilt

I've been readying a crazy quilt top for hanging, and thought I'd share some photos with you.  Like the six-pointed star quilt and the hippie crazy quilt, this is a wonderful collection of fabrics of its era, a good reference collection of colors and print styles.  

Grecian Square

A friend of mine wrote and asked me why the Grecian Square blocks in the "red, white, and symbolic" quilt I recently wrote about have that name.  What is Grecian about them?

Deer Creek Fen quilt at home

My zoologist friend visited me in June and picked up the landscape quilt I made for her.  It is a portrait of the fen where she does her fieldwork.

The quilt is now happily hanging in its new home.  My friend just sent photos, and here they are.  I am so happy to see it in situ.  The colors really work well with the rest of the room, I think.  And my friend can work at her desk and dream about being out in the kayak - gliding through the grasses and visiting the bog buckmoths, the turtles, frogs, and dragonflies, all the while watched over by the deer and hawk.  Yea!!

The complete story of this quilt's creation starts here with her photos and fabric selection and creating the landscape, and continues with creating the animals, more detailing and adding the borders are here and here, and finally, photos of the completed quilt.  I'm really grateful to my friend for the inspiration to create such a detailed and exciting quilt.

Family History

While writing the previous post about my refrigerator quilt, I took advantage of the "interwebs", which didn't exist to such a great extent at the time I made the quilt, to research this postcard from Germany.  It features my last name in the original German spelling.  "Wasser" is the German word for water, pronounced "vah-ser".