Take 2: Optical Illusion With Plaid (complete and with photos this time!)

(I inadvertently posted this a few days ago, long before I was done writing it.  Here it is in it's final form!)

"It just looked like a happy quilt that needed a home!"

That's what the owner of this quilt told me when she sent it to me for repairs.  I think that's a lovely reason to buy a quilt, don't you?

What makes this quilt especially fun for me are the blocks that were pieced with a large red and white plaid.  Piecing that plaid next to a plain white made the seam lines of the patchwork pretty much disappear, creating a syncopated, modernistic pattern in the midst of this otherwise very quaint, old-fashioned quilt!

Favorite Quotes #14 - Martha Graham

Inspiration for the New Year of living and creating:

Martha Graham gave this advice to Agnes de Mille shortly after she choreographed Oklahoma! in 1943.  The story is that de Mille was curious as to why this work had captured the critics' attention even though she thought much of her other work was much more complete and valuable.

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open.”

Here's to all of you and your very own vitality, the light of your life!

Signature on a Victorian crazy quilt

A Tale of Two Eagles

Two American eagle quilts, in honor of Veterans Day.

Several years ago, I was honored to be asked to conserve a spectacular eagle quilt.  It is embroidered prominently with the date and location - 1853 and Phelps, at town in upstate New York.  Beyond that, it is totally gorgeous, and in pretty good condition.

I was asked to do the work on this quilt by Mark Wilcox of Summer Antiques in Lake Placid, NY.

He auctioned the quilt at Sotheby's.  The auction catalog has a full description and larger photo.  My blog has photos of the conservation work I did on the quilt.  It is still one of the most important and fun adventures I've ever had in the quilt repair biz.

Well, then a week or so ago, I came across an auction listing at Freeman's for an incredibly similar quilt!  The auction will take place next week.

Photo: Freeman's

The date on this one is 1845.  The descriptive materials say that the name of the quiltmaker is known for this quilt, as it has been handed down in the family.  She was married in 1811, and died in New York state.  She could quite reasonably have been living somewhere in New York at the end of her life when the quilt was made.

I’m wondering whether or not the two quilts were made by the same person.  The borders and the halo over the eagle’s head are very different stylistically.  The designs on the 1845 quilt are quite angular by comparison, and more formal and symmetrical.  I wonder if this was a design that appeared on some other item that quiltmakers were drawn to copy and interpret on their quilts.  I poked around a bit, but haven't found anything yet.

If it was the same person, she was certainly having loads of fun coming up with different ideas!

My challenge to you all - look for a design source for this grand old bird.

Another amazing coincidence is that there is one and only one previous exhibit on the quilt's "resumé", and that was right here in my home town!  And no, I didn't know about it.  Wish I had!

Stitching Our Stories

Stitching Our Stories is an exhibit currently running in Santa Fe through October 20.   It's at the Santa Fe Arts Commission’s Community Gallery, 201 W. Marcy Street.  The use of needlework to express  family and social history is one of my favorite topics.  I'd go for sure if I was anywhere close!

The subtitle is:  Connecting Immigrant and Local Communities Through Story Cloths and Conversations.

The programs and exhibit were created by Art and Remembrance, an organization founded around the needlework panels made by Holocaust survivor Esther Nisenthal Krinitz.  The panels illustrate her memories of her early life in Europe and her escape from the Holocaust as a young girl.

Art and Remembrance has created a program called HeART and Story which guides recent immigrants to create their own story cloths about their journeys.  Their work is also on display. 

You can see the lovely Esther Krinitz panels in a book, Memories of Survival, and a video Through the Eye of the Needle (which you can also purchase).

Cycle of the Seasons Quilt

Long, long ago (early 1980s) in a design workshop taught by Nancy Halpern, I designed a pieced tree block that I called "Timberline."  I made a set of 4 small pieces, one for each season. 

A bit later, I redrafted the trees to make an octagonal quilt that can rotate as the seasons cycle through the year.  It's been hanging in my upstairs hallway and turning to mark the seasons for nearly 30 cycles.  In this format, I call it "To Turn, To Turn."

Favorite Quotes #12 - Essence and Limitation

 

"Objectivity is of the very essence of photography, its contribution and at the same time its
limitation...."

I found this quote in the description of the current retrospective of photographer Paul Strand's work at the V&A Museum in London, and love the connection he drew between essence and limitation.

I consider this to be a very magical photo.  I took it for the marvelous sunset sky.  Only later did I see that in that little triangle of light between the bushes at the center there is a man sitting on a park bench, also enjoying the view.  The objectivity of the camera lens created its own essence!

For me, I really enjoy the challenge of working within limits.  I know some artists don't do commission work because of the size or design limits that customers can require.  Not me.  And I always love a great collection of challenge quilts or a show requiring a clear theme - the amazing variation within limits is a real testament to creativity.

Hands All Around

Something like 10 or 12 years ago, I cleared out lots of my old creations with a giveaway to friends and family.  One friend took a pillow, one of the first I made way back when.

She has used that pillow so much, even taking it along in her camper on a cross-country trip, that it has faded away until the navy print is a super pale grey.  Time for a new pillow, I figured.  (The block on this one is Single Wedding Ring.  And in case you're curious, the semi-circles quilted around the border were traced around the inside of a roll of masking tape.)

Here's the new pillow I made for her.

Rose Baskets

Oh, my!  The design and technique on this quilt is amazing! 

The quilt was made in the mid to late 1800s, maybe 1860s or 1870s.  It sustained some damage at some point in its life that faded out the center block but left the fabrics mostly intact. 

Glowing Lone Star Quilt

Here's a quilt that's definitely "one to write home about", or in this case, ha-ha, one to write a blog post about.

This 1930s beauty was sent to me for repairs.  The ring of green diamonds was pretty much totally in shreds, and the ring of tan diamonds was not far behind.  In the end, the owner and I decided to have me replace all the greens and just the tans that were in the worst shape.

That decision hinged on finding fabrics that blended well with the originals.  I ordered swatches from my favorite on-line source, Reproduction Fabrics, and took photos to compare them and pick the best match.

A Quilt from a Galaxy Far, Far Away

 

For the past few years, I've been creating a quilt series called Something From Nothing.  These are generally just-for-fun, design experiments.  In addition, I've been making a more major piece, like this one, each year as my entry for the Fine Art of Fiber show.  (More info on Something From Nothing: intro to the series and quilts of 2015.  Previous fiber show entries: Cleopatra's Fan 2014 and What the Birds See 2013.)

The title of the quilt is Gas Giant.  No, this is not Saturn.  This is a planet in a solar system or galaxy that we haven't seen yet.  Gas Giant is probably the largest piece so far in the series (78" x 44").  Being about outer space, it needs to be pretty vast, right?

A Log Cabin Quilt that Fools the Eye

A few weeks ago, I visited an open house at Harvey Pranian Art & Antiques.  Harvey has decades of experience in the antique/folk art/fine art biz, and finds the most wonderful things.  I highly recommend browsing at his site. 

Here's a small log cabin that really intrigued me.  (Photo by permission.)

From across the room, I thought the quilt was made of log cabin blocks with a pieced black and red vertical sashing.  It's a great visual rhythm.

But actually, the whole quilt is made from square courthouse steps blocks with the same patchwork placement, just rotated 90 degrees in alternate columns.  Brilliant fool-the-eye effect!  Hooray for homespun artists!

You'll note that the black squares are all pieced with their own little logs!  The logs are 1/4-3/8", both wools and cottons, as I recall.  You can kind of get a sense of the scale by looking at the little hang tag on the left edge in the first photo.

Favorite Quotes # 10 - Simple Things

"Some of the greatest poetry is revealing to the reader the beauty in something that was so simple you had taken it for granted."
- Neil deGrasse Tyson

Nature's Perspective - 1989 - 107" x 81"

I heard this line in the midst of a long, rambling interview I was watching online.  I backed up over the spot and wrote it right down.

I would expand the concept to all art, not just poetry!  Certainly for me, this has been a theme to my art making, though I have never realized it or expressed it so clearly.

I love experiencing art as a way to see more clearly.  I think art is truly art at its best when artist and viewer meet at that place of clarity and inner knowing, a place where they recognize and acknowledge each others' humanity and each others' spirits.  That to me is a great definition of beauty.

And these meetings are not predictable.  I like that I will never really know how and which of my quilts will impact which viewers.  Sending a particular message is not the reason I make quilts, that's for sure.

The image for Nature's Perspective came to me while driving home through Wisconsin farmland at dusk.  I felt like I was almost flying over the landscape, and the land was like a billowy quilt, tacked down at the corners by the farm building and the occasional trees.

But the most meaningful comment I had on this quilt was from our friend Jon.  He said it perfectly represents a vision that had always intrigued him - that the sky is so smooth and uniform while the earth below is so varied and dimensional.  Sure 'nough, he's right!  But that concept had never entered my mind while designing the quilt.  That conversation taught me a lot about art.

Actually, I get a bit perturbed about writers who try to define what "Art" is in discussions about whether art needs to be beautiful, or needs to have social commentary, or needs to be shocking and cutting edge, or needs to be created in a perceptible series that experiments around a theme (as I was told in a quilt design workshop years ago), or needs to be in fine art media, and so on and on and on.

In my world, Art is what someone is drawn to create, and Art is what gives someone else a satisfying experience.

Details about how the quilt was made:
The sky is half a Sunburst pattern.
The farms are Prairie Queen and Corn and Beans blocks.
The farm buildings are black felt.  The glowing windows and the trees are embroidered.

Due to the perspective, there are no two templates exactly alike.  My husband the engineer helped with the drawing and figuring.  Every template was numbered and marked for right side and top.  It was quite a serious undertaking!  I have never made such a large and complex art quilt before, and have no plans to do so again!

A Room of Her Own

"A Room of Her Own"

2015

32"x32"

I just completed this wall quilt!  It was commissioned by a wonderfully thoughtful husband in honor of his wife's milestone birthday.

It is inspired by a quilt I made 1999, called "Memories of Spring" (21"x19").

He liked the airy, dreamy, and old-fashioned homey look of the quilt.  He asked for a larger piece with personalized references to the things his wife loves and to their family.  The idea grew from there, with both of us making additions to the contents of her "room".  Here's the initial sketch.

One of Those Amazing Coincidences

So, the other day, my husband and I were at the bank to sign some papers on a financial thingy.  We were ushered into a conference room and ---

The very first thing I saw was the chairs.  The chairs!  I whipped out my camera and took a couple of pictures.

For the last few years, I've been working on a series of quilts called "Something From Nothing", my own personal challenge project using decorator fabric samples. 

And........  The chairs are upholstered in one of the fabrics I used in one of the quilts!  Such fun!

 

The quilt is called "Something From Nothing -- Off Center".  It's 27" x 35".

In keeping with the challenge I set myself for this series, I used all the colorways of this pattern that I had, and I designed the quilt to relate to the pattern.  The appliqued rings and dots are all made with other circle prints, all from the stash of decorator samples.  The dots and the buttons I added are the same size as the design elements in the print.

Those chairs made my day, for sure!

For more on this series of quilts check out these previous posts:
--  the story of how the series came about
-- photos of some recently completed quilts
-- descriptions of the design process and step-by-step photos for two of the larger and more complex quilts - Something From Nothing -- Cleopatra's Fan and Something From Nothing -- What the Birds See

Fans, Color Blocks, and Bricks

Today I am debuting the three new quilts in my "Something From Nothing" series!  (To read more about how this series works, see this previous post or visit the whole set on my website.)  This is a just-for-fun project, and I am definitely having fun!

Fans

31.5 x 31.5

Inspired by a little roll of four brocade fabric samples found at an estate sale.  The borders are the reverse of each of the fabrics.  I added some other brocade scraps from worn out clothing and a roll of wide purple ribbon.

19 Stars - Indiana Quilt Exhibit

Starry Knight by Ellen Anne Eddy

My quilt friend Ellen Anne Eddy posted an article about a new quilt show at the Indiana State Museum.

It's called "19 Stars: Quilts of Indiana's Past and Present", celebrating the state's upcoming 200th birthday.  Indiana was the 19th state to join the Union, and the Indiana flag features 19 stars.  So the museum is showing 19 antique quilts and 19 contemporary quilts from their collection, all with starry designs.  I love the idea of juxtaposing the old and new quilts to celebrate the history of the state.

Here are two video clips about the show.  The second one features Ellen's quilt, "Starry Knight".
historical quilts
contemporary quilts

I've always found themed exhibits and books the most fun.  They really bring out the variety and excitement of all the approaches to quiltmaking.

I first discovered how cool these shows can be in the 1986 book All Flags Flying.  It includes the 52 prize-winning quits from the Great American Quilt Contest "Expressions of Liberty" celebrating the Statue of Liberty's 100th birthday.  Some are very literal, some are very abstract.  My favorite happens to be the winner from my home state of Illinois, made by Sidney Allee Miller.  It's called "Freedom's Children," and is 72" square. 

(Photo credit, All Flags Flying)

The concept is unique and the execution is both folksy and technically amazing, a great combo! 

Snowball

Such a lovely Amish quilt!  Here's a quilt with all the criteria needed to satisfy any Amish quilt collectors:

Colors are bold.  It is wool.  Piecing is precise.  Quilting is prominent.  Stitches are teensy.

It is quite large, and is backed with a grey striped flannel.

American History Quilt, 1937

I came across this wonderful quilt in my surfing today.

It was made and signed in 1937 by Camille Nixdorf Phelan.  There is a map of the US as it was in 1937: 48 states.  Landmarks and personalities are embroidered in the states.  The map is surrounded by a further 150 portraits of famous people - including Presidents, First Ladies, and herself as quiltmaker, 50 further landmarks, maps of 4 US territories.

Camille was born in 1882 in Missouri, and moved to Oklahoma after her marriage in 1900.  She became famous for her Oklahoma Historical Quilt that was displayed at the 1933 Chicago World's Fair.  Here's a bit about that quilt in her own words (from the Oklahoma Historical Society site, link just previous):

"Twenty 100-yard spools of thread were used.  Every stitch of the embroidering is my own work and I spent all my spare time for four years in actual construction. Two years were spent in research work before I began the quilt."

Shortly after her success with Oklahoma history, she embarked on creating the America quilt.  It was documented, but lost, and finally resurfaced in the 1980s.

A description is at Rare Book Hub.  A further description, bio of the quiltmaker, and detail photos are in a Bidsquare listing, where the quilt was recently sold by Cowan Auctions for $19,200.

Oklahoma Historical Society photo

Now on Pinterest

Two of my buddies, with whom I share and discuss business plans for our on-line businesses, have been urging me to join the Pinterest world.  I've been resisting having yet another "thing" to keep me at the computer.

At first, I also resisted having this very blog until both my kids told me, in no uncertain terms, "Mom, everyone who has a business has to have a blog." And here I am, so happy to be a blogger.  So I finally succumbed to Pinterest a few months ago.  After all, I already collect photos!

So, I'm introducing you to my boards.

The one I'm most fond of is called "Quilt Repairs: Before and After".  I'm proud of figuring out how to post two photos in one pin, like this:

"Art Quilts" simply has photos of my art pieces.

"My favorite posts from my blog" has basically the same things you'll find here on the blog under the heading "Featured Posts."

"Dated Quilts" is pretty fun, a compilation of quilts I have worked on that have inscribed or documented dates. I love these for the fabric history they illustrate so neatly.  You can read about these quilts by staying right here at the blog and using the label of the same name - Dated Quilts.

"Favorite fabrics and superior needlework" shows off the quilts and vintage clothing that have really added sparkle to the (yes, sometimes tedious) work I do.

"Textiles that tell stories" is collection of both antiques and new art by me, all pieces that are notable for the stories they carry.  That's the other category that makes this job so exciting.

"Looking through things" is a collection of photos I've been taking that may someday, somehow find themselves becoming an art quilt series.  The first one I took was a pair of chain link fences.  I found myself staring at them while I waited to pick my son up from something or other.  I loved the offset rhythm they created.

"Photos I dream on" is a collection of photos by me. I've been taking a photo nearly every day that speaks somehow to what's going on in my life or is just plain lovely, and sometimes both at the same time.  This board contains some of my favorites.  I began this "photo diary" as a mindfulness exercise last summer when I became an empty-nester.

"Artists and inspiration" are photos of works by other people that I have come across online, with links to more of their work.  Making this board turned out to be a really educational process - now I can see a pattern to what draws me in which I have never seen so clearly.

by Jude Hill, at spirit cloth

I can see already that the Pinterest outreach has already begun sending my blog some new visitors.  A shout out and thanks to Julia at Basya Berkman Vintage Fashions and Cheryl at Sk8 Gr8 Designs Custom Figure Skating Dresses for spurring me onward!

When I Grow Up

The blog that posted this photo is called Advanced Style.  These ladies are just the best inspiration ever. Yep, out of the box in definitely the place to be!