Favorite Quotes #13 - What is Art

Art is not what you see, but what you make others see.

Edgar Degas

I found this quote in just about the most difficult spot ever to photograph!  It's on an overhang, with a brightly lit ceiling just beyond and a dark tall wall above....  But I loved it.  And I love that it's in a high school, seen by budding artists every day.

I do think successful art has two parts:  first, a sharing of what the artist sees (in the broader sense of feels and experiences), and second, what that touches and brings forth in the viewers' sensations and inner knowledge. That's why good art feels timeless and magical.

Here are two favorite stories:

Heirloom Cross Stitch Quilt

Isn't this a lovely quilt?  Sometimes the simplicity of a two-color design can create the most impact of all.

This cross stitch quilt is a family heirloom, made by the grandmother of the current owner.  She was living in Columbus, OH, at the time she made the quilt in the 1970s.

Summer Sewing

Sitting out in the back, beading and buttoning on my FFF (folded fabric flowers) project.  This will be another little quilt in the Something From Nothing series. 

It's quite thematic for a summer's day, don't you think?

And then I started looking for other things to photograph....  I love the freedom and the possibility of excess of digital photography!

100-Year-Old Christening Gown

      

This christening gown is a family heirloom with a full pedigree.  The left photo is the front, right photo is the back, third photo is the matching slip.  Here's what the current caretaker knows about the gown:

LeMoyne Star Plus 9-Patch Equals a Great Quilt

This quilt is signed and dated, one of my favorite kinds of quilts.  It was made in 2002 in Intercourse, PA, by Esther Martin.  Sign and date all your quilts, folks!  Quilt lovers of the future will thank you!

Repairing fairly recent quilts like this one is very different from repairing quilts of the 1800s or the early 20th century.  It's so easy to find patching fabrics!  All I have to do is go into my sewing room and look at the piles of fabrics I've bought over the years for my own quiltmaking.

Shopping Spree

I'm sure many of you know how easily this happens....

I was sitting down to repair this lovely Victorian silk and velvet log cabin quilt. 

And lo and behold, I discovered that I somehow had let my supply of black thread run completely dry.  And then somehow, my thread order ended up with just "a few" more spools than just the black.  The pages and pages of yummy colors were just more than I could resist!

This, by the way, is 100% cotton size 60 thread.  It's what I use for repairing quilts, especially ones like this log cabin with very fragile fabric.  Regular sewing thread is larger, size 50.

Close-up photos of the fabrics in the quilt and of the conservation work I did on the fragile old silks are in the previous post.

Lovely Victorian Log Cabin

 

This quilt exemplifies why people are drawn to the silk and velvet quilts of the Victorian era, don't you think?  Rich glowing colors and shiny fabrics.  It's all about the fabrics!

The counterpoint of the black vs. color makes the strong visual impact that quilt collectors love to see.

The logs are mostly silks.  They are about 1/2" wide, though you can see that it's not precision piecing - they do wobble a bit.  This makes me happy.  It says to me that a quilter doesn't need to lose the fun of fabric and color by stressing over precision (unless precision makes her happy) and can still make a stunning quilt.