Quilt Repair Success!

Tooting my own horn here for a moment! 

Here's the lovely email I just received from a woman who bought my book.

My mother-in-law made the crazy quilt in the photos in the 1920's.  My daughter inherited it.  It had damage where it had been folded for all those years.  Otherwise, it was in pretty good condition.  I show the before and after pictures of a pink piece (photos 1 & 2), and the last photo is of the quilt.  I used your book to plan and make the repairs.  I would not have known where to start otherwise!  I used a lightweight silk fabric to make the appliques, and 100 wt silk thread to do the repair.  I bought silk organza to cover the binding which was badly worn.  We were pleased that the color was so good with the original fabric.  Your book addressed all the issues I was working on, so thank you!

It's so gratifying to know that the book is working just the way I intended.  Here are her photos.  Didn't she do a super great job?!

Before

After

Binding

And the horn-tooting isn't complete without a link to more info on content and purchasing.

Remember Me

 

There used to be an antique quilt gallery here called the Wild Goose Chase, and I used to work there.  That's where I got my start in repairing quilts.  (Photo from 1980-something.)

 

My mom, though not a quilter, found and bought an intriguing quilt there every time she visited.  This is my favorite of the ones she bought.  I think she was drawn to this one because she did lots of embroidery, and because she loved good novels.  This one has a such sweetness to it and surely held some meaningful stories.

Quilts at the Art Institute of Chicago

 

 

The exhibit this past winter-spring in the textile galleries at the Art Institute of Chicago was spectacular.  So spectacular that I went twice!  Going once was just not enough time to soak up the beauty and history of the pieces from their great collection.  I craved another chance to breathe the rarefied air of these wonderful quilts!

And here they are, in no particular order, so all of you who don't live near Chicago get to enjoy them, too.  (I missed a couple of them, due to "too much" chatting, but this is most of them.)

Treasured Family Hierloom, part 2 The Rings Question

Most of the story of this crazy quilt is in part 1, but I wanted to separate out this question in hopes of hearing some helpful information.

There are several patches decorated with sets of interlocking circles.  The only symbolism I know of for this kind of image are the three chain links of the Odd Fellows.   

But on this quilt, we see these configurations:

The owner is wondering if there is any tradition of representing the people in various branches of the family this way.  Any ideas, anybody? 

Treasured Family Heirloom, part 1

There are many different ways to put a value on a quilt.  Sometimes, like with this one, it's the artistry and the family history that makes it a treasure.  This poor quilt has definitely seen better days.  The silks are pretty much totally shredded.  But even so, the spirit, variety, and skill in the embroideries are notable.  Add to that a wonderful family history, and the quilt becomes something to honor and stabilize as much as possible.

Crazy Quilt Embroideries

In 2009, the International Quilt Study Center & Museum hosted an exhibit called A Fairyland of Fabrics: The Victorian Crazy Quilt.  I just visited the Museum site and read through the great accompanying materials.  There is historical info plus photos of several of the beautiful crazies that were in the exhibit.

What caught my eye was a photo detail of one of the exhibit quilts:

International Quilt Study Center & Museum

I recognized the same two dancing children from a crazy quilt, dated 1883, that I repaired a while ago.  Here they are on that quilt:

Now isn't that fun!

One of the many embroidery traditions associated with crazy quilts are renditions of artwork by the popular author Kate Greenaway.  And here we see two different quilters who chose the same illustration and added their own detailing.

My post about the quilt I repaired shows several other Greenaway designs amongst other crazy quilt staples such as flowers, animals, and fans.  And, we get a more personal glimpse into this particular lady as she shows us several pieces from her favorite china set!

Favorite Quotes #14 - Martha Graham

Inspiration for the New Year of living and creating:

Martha Graham gave this advice to Agnes de Mille shortly after she choreographed Oklahoma! in 1943.  The story is that de Mille was curious as to why this work had captured the critics' attention even though she thought much of her other work was much more complete and valuable.

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open.”

Here's to all of you and your very own vitality, the light of your life!

Signature on a Victorian crazy quilt

Great-Great-Grandma and Her Great-Great-Grandson

Well, I have another story to tell about quilts and needlework in my friend Debbie's family.  Debbie's Grandma loved to sew and craft, and made so many useful and pretty things for her family.  These have become much treasured heirlooms.

Last weekend, at our annual day at the Fox Valley Folk Festival (always a wonderful event!), and I got to meet the newest addition to the family, Debbie's first grandbaby.  Debbie had brought along the quilt her Grandma had made in the 1980s for her daughter Emmie was she was a little girl.  And now, here is baby Will, the first member of the next generation, in his jaunty little hat, sitting on his great-great-grandma's loving needlework.  How cool is that!

Crib-size Crazy Quilt, c 1890

Antique crib quilts don't come around often.  For pretty obvious reasons, they were used hard and washed a lot.

This one came to me for repair and sprucing up.  In addition to being well over 100 years old, it has family history and provenance.  This adds up to a quilt whose significance way outstrips its actual size (22" x 35")!

To make this even more fun, the quilt's owner sent me two old family photos to include here.  Here's the family home in Blue Island, IL.

And here's the family photo taken at the wedding of her great-aunt Sadie.

I'm Upping my Social Media Presence

I have recently created a business Facebook page, AnnQuiltsQuilts.  Come join up, and you'll get notices of all my new blog posts.

And just this weekend, I entered the world of Instagram as "ann_quilts".  I've already connected up with some interesting quilt folk and would love to be in touch with more of you.

While I'm here, I'll give a plug for my good ol' website and my Pinterest boards.

I'm finding all these new doo-dads are especially well-suited for someone who thinks and remembers in images.   So many cool things to browse!

(The photo above is a bit of a really wonderful crazy quilt that visited me for repairs.  The little monk with the bell is about an inch wide and 1.75 inches tall.  Incredible needlework on this quilt!  The sprig of violets at the bottom is hand-painted on the fabric. The quilt probably dates to somewhere in or around the 1880s.  The heartwarming story of how the current owner inherited this amazing quilt and lots more photos are in a post from last September.)

Kate Greenaway and a Crazy Quilt

Another crazy quilt!  They certainly were all the rage with the Victorian ladies, and of course, still have many, many fans.  (Pun not intended, but left as written.)

As with all good crazies, this one has some unique and endearing embroidery details, and the scalloped edge is very special.  Having an embroidered date - 1883 - is always a big plus!  This is a family heirloom piece, though the precise history is not known.

Crazy Quilt, c. 1925

Here's another beautiful crazy quilt to add to all the collection of crazies I've documented on this blog.  What makes this crazy quilt stand out from the crowd is the era and the fabric choices.

Embroidery Mistresspiece part 3

Here's how I replaced and re-embroidered a couple of patches on this wonderful crazy quilt.

Usually, I patch just up to the embroidery, so the original stitches are maintained.  But there were a couple of patches where the embroidery covered nearly the whole fabric, so the owner and I decided that I should replace both.

The worn patch.

This photo became my reference for reproducing the embroidery.

Embroidery Mistresspiece part 2

Here is a wonderful story from the owner of this wonderful, mistresspiece crazy quilt:

"When I was a teenager I mowed a lawn for a very nice elderly lady in St. Petersburg Florida. She had a very large Spanish home that had been built in the 1920’s and was beautifully maintained. In the summers she had me do various things around the house and always brought me inside to talk to me before I left to go home. At the age of 78 she was courted by a gentleman who had owned the first Ford dealership in Philadelphia and was very wealthy, he swept her off her feet and they were married and moved to his home in Palm Springs Florida. Before she left she told me she had something special for me and gave me the quilt.

Embroidery Mistresspiece part 1

This quilt is a full-out embodiment of the height of the crazy quilt style.  The embroidery is off the charts for precision and creativity.  

Here are some pieces where the maker toyed with and built upon the designs on the fabrics:

Crazy Quilt Saga - Repairs

This crazy quilt provides a good example of the different techniques that I use to help maintain aging silks.  It also had a special problem - a silk ruffle on the edge, some of which was in really bad shape.

I used three different techniques, depending on the type of damage in each patch:

Crazy Quilt Saga - History

This quilt is a family heirloom, made by the great-grandmother of the current owner.  My thanks to the family for sharing their ancestor's story, and thereby the story of this quilt.

  

The quilt was made by Angela MacGregor Coutts Lewis.  Angela lived from November 20, 1871, to April 29, 1947.

Crazy Quilt Embroidery and Family History

Here are some lovely embroidery details from a crazy quilt c. 1890-1900.  Family history has it that this quilt was made by a group of "church ladies", possibly a church sewing circle.  There are certainly some areas of stitching that are done with much more finesse than others, which supports the oral history.  The quilt belonged to the current owner's ancestor, Mabel Connelly, who was a farm wife in central Indiana.  The quilt has had a hard life, very mistreated for many decades.  So there is little left of many of the fabrics. The embroidery still has lots of life left in it though, and the artistry of the makers still shines out.

Lovely embellished initials, probably representing Mabel's husband.

Another set of initials, the person not known to the quilt's current owner.

A Lovely Crazy Quilt

This great Victorian crazy quilt was brought to me as a top.  I replaced one missing corner area with a brown silk, covered several worn pieces with crepeline to protect the fraying fabrics, backed it with a black cotton, and bound the edges with a brown silk.

Here is a square with several crepeline-covered pieces - the white piece on the left, the two central light pieces, and the one on the lower right, where the broken silk is very easy to see.  From this photo, you can get an idea of how nearly invisible the fine crepeline silk is.

1900 crazy quilt

I've been readying a crazy quilt top for hanging, and thought I'd share some photos with you.  Like the six-pointed star quilt and the hippie crazy quilt, this is a wonderful collection of fabrics of its era, a good reference collection of colors and print styles.