Antique Wedding Dress, 1872

This dress was worn by Margaret Jane McCornack at her wedding to Myron Gage on May 14, 1872. The dress has been passed down in her family, and is now in the possession of her great-granddaughter.  She told me that the McCornack family came from Scotland to the Elgin, IL, area in 1835 for religious reasons.  Margaret’s father Alexander McCornack was born in St. Luce parish south of Glascow.  The Gage family came to the US in the 17th century.

The dress is now headed to the Elgin History Museum.  Margaret's great-granddaughter brought it to me for mending before it goes to the museum.

To add to the fun, here's a family portrait taken the day after the wedding.  Margaret is sitting on the far left side in the second row.  Her father and mother are seated on the right of the second row.  

The dress is a textured silk, in one of those colors that just won't stay put in any one category.  Is it an olive-greeny grey?  Or is it a greyed olive green?  We shall never know for sure!  It is lined with a medium brown polished cotton.

Improved 9-Patch

I really enjoyed working on this quilt.  It's a kind of quilt that I have dubbed a "quilt-y quilt" - meaning it personifies what lots of folks think an old quilt ought to look like.  A traditional pattern, scrappy, cozy and bright.

The pattern is called Improved 9-Patch, and with all the curves and narrow points, probably not a beginner's quilt.  The stitching, both the piecing and the quilting, is very well done.

Well at any rate, when I first laid it out to study it and make an estimate, we became friends right away! On top of that, the quilt is still in the family, and the current owner shares info and photos of the maker below.

I thought I'd let this quilt illustrate making fabric selections for repairs.  I was pretty pleased with the fabrics I found.  Sometimes I'm not quite this pleased, so yes, I am showing off a bit.

The Melrose Quilt - Statistics and Stories

 

Now that all the excitement and preparations around the exhibit have come and gone, I'm publishing the compilations of statistics and stories I discovered about life in Melrose, MA, at the end of the 19th century.

A previous post describes the exhibit and events.  Links to many chapters chronicling the research process can be found below.  I hope you enjoy the saga as much as I enjoyed it!

Here are links to the data.  (Depending on your browser and browser settings, you may see the pages here or you may find them in your downloads.)

List of Names on the Quilt - Includes names as written and more complete names when found

Census Records Closest to 1895-1900 - Household members, ages, professions, stories

Census Data Used to Date the Quilt 

Summation of Interesting Facts and Stories

Names Listed in Order of Street Name and Number - In case you visit Melrose and want to look for houses where these people lived

Age Chart - Ages from census records closest to 1895-1900 

Here are all the previous posts:
Part 1 describes the quilt and the initial research.  Part 2 details how I narrowed down the dates, and relates some of the interesting family stories I began finding.  Part 3 tells the story of the Phinney, Dyer, and Hersey families.  Part 4 has general observations on life in the late 1890s.   Part 5 sums up my research.  Part 6 shares the first information from librarians and historians in Melrose.  I wrote a little aside about the fun of being able to look at original records online.  And, since the quilt did initially come to me for repair, and I did eventually stop reading census forms and do the repair work, and wrote up the techniques and choices involved.  And then I went back to the research, and continued to find lots of great information.  After the events, I described the homecoming experience and the exhibits, and wrote about the little quilt I made that was inspired by the historical quilt. And a very astonishing coincidence with another quilt and a family tree.  I was given a photo of one of the people named on the quilt. 

A Happy Tale: Returning Lost Quilts to Their Family

 

 

My friends are very good to me.  Every time they see or hear something about quilts, they forward it on to me.  Thanks, y'all!  It always brightens my day. 

A friend sent me the link to a story one of his friends had written.  It's a heartwarming tale of family quilts lost and found.  I asked for permission to share the story with you all.  And she said yes!

Studying the Quilts
Quilts Go Home

The author is Suzanna Leigh.  The internet surely has become a marvelous tool that makes this kind of story possible.  I hope you enjoy the story as much as I do.  Brava, Suzanna for finding and caring for these family treasures!

Ancestor Quilt

So, as I mentioned in the post about all the quilt fun last month in Melrose, MA, the library hosted an exhibit of quilts inspired by the historical quilt I've been researching.  The exhibit was cleverly titled “Red, White, & Words,” referring to the antique red and white quilt that was inscribed with 222 names of Melrose-area residents at about 1897.  (The full list of links about the quilt and the research is below.)

I figured I wasn’t going to have time to make a quilt alongside all the prep I was doing for the exhibit and lecturing and traveling, but then an idea did just pop into my head…. you know how it goes.... and it wasn’t a terribly difficult idea….. 

So I made a tiny 3-block version of the Melrose quilt, inscribed with the names on my own family tree.  It was small, easy to piece, and tied, and I did indeed get it finished and submitted in time.  I even managed to find a red on cream polka dot fabric for the back, just like on the original!

The center block has myself and my husband in the middle, our two children on the sides, and my father and mother at top and bottom.

The top block connects to my father's name.  His brother is at the bottom, and their parents, my grandparents, are in the center.  My great-grandparents are on the left and top.  On the right my grandmother's siblings are memorialized, all but one of whom were killed, as were my grandparents, in the Holocaust. 

The bottom block connects to my mother's name.  Her parents, my grandparents, are in the center.  My great-grandparents are at top and bottom.  My great-great-grandparents are left and right. 

It was a surprisingly powerful feeling to write my ancestors’ names on a quilt!  They are now recorded in a way that is very near and dear to my heart.

Here are all the previous posts:
Part 1 describes the quilt and the initial research.  Part 2 details how I narrowed down the dates, and relates some of the interesting family stories I began finding.  Part 3 tells the story of the Phinney, Dyer, and Hersey families.  Part 4 has general observations on life in the late 1890s.   Part 5 sums up my research.  Part 6 shares the first information from librarians and historians in Melrose.  I wrote a little aside about the fun of being able to look at original records online.  And, since the quilt did initially come to me for repair, and I did eventually stop reading census forms and do the repair work, and wrote up the techniques and choices involved.  And then I went back to the research, and continued to find lots of great information.  After the events, I described the homecoming experience and the exhibits. And a set of summaries of the data and stories that brought the quilt to life. 

The Melrose Quilt Returns to Melrose, MA

Since my previous post, the events I described then have come to pass.  A 3 1/2 year project had its milestone event.  I’m not going to say that the project reached its conclusion, because I really want the research and storytelling around this quilt to continue.  There are plenty of loose ends left to be tied!

In that previous post, you can read the process leading up to this exhibit.  And at the end of that post, there are links to other posts that I wrote along the way during that 3 1/2 years.

In a nutshell:
The quilt magically found its way to me. The names on the quilt were researched.  And researched some more with the help of Melrose community historians.  The results were nicely typed and formatted.  By happy happenstance found myself in contact with a woman in Melrose who was excited about the quilt and about creating an event around it.  She found a venue.  She planned several associated events.  Descendants contributed stories and photos.  I repaired the quilt.  I put on a temporary backing to help support and protect the quilt while hanging.  And finally, 120 years after it was dedicated and stitched, the quilt and I flew off to Massachusetts!

Melrose History Quilt, December 2018

 

Way back in spring 2015, I received a query for information on repairing an inscribed quilt.  And as they say, the rest is history.

Just for fun, I looked up some of the names on Ancestry.com, and the owner ended up deciding to leave the quilt with me so I could fully research it.  That was magic #1.  My research points to Melrose, MA, as its home, and 1897-8 for its creation.  See History Comes to Life on a Quilt on this blog, to read lots more details about the quilt and about Melrose.  At the bottom of this post are links to the whole set of posts about this amazing saga.

Magic #2 was receiving an order for my book from Alanna Nelson who lives right there in Melrose.  Magic #3 is that she is an avid quilter and knitter and event planner.

So for the last several years, I've been continuing the research, with the help of a Melrose librarian and contact with some of the family members and descendants, and Alanna has been creating a celebration focused on this quilt.  Oh, and I also did finally do the repair work.  Soon I'll be taking the quilt there, and participating in two weekends of events!

You can read about these upcoming events on the Melrose History Quilt website.  And down at the bottom of the home page, you'll find a space to sign up for the newsletter to keep you abreast of the plans.

I'll be there on Saturday December 1, Friday December 7, and Saturday December 8.  During the intervening week, I'll be in New Hampshire visiting family, and holding a workshop/get together on December 3.  You can contact me for details about that.  The quilt will be on display in Melrose on the other Saturdays in December, but I'll be coming back home.

In preparation, I've been solidifying all my lists.  I also wrote to people who have public trees for these families on Ancestry (where I've done the bulk of my researching).  Several people responded with some wonderful stories, some gorgeous family photos (a few of which are included below), and some new info, through which I've identified a few more people.  Here are the "final-for-now" results.

There are 227 names on the quilt.  I have located information on 184 of those people, and there are 43 that I couldn't find.  The quantity of information ranges from family contacts with stories and photos, to many links to census pages and other records (marriage, death, enlistments), to nothing more than a one-line entry in a Melrose directory.

The quilt was likely a fundraising project.  All the names are written by the same hand, so it is not a signature quilt.  Fundraiser quilts are known from this time and other decades.  People paid to have their name included, and then usually there was also an auction or raffle to sell the quilt in the end.  Often, date, place, and event are also included on the quilt, but not in this case.  Town histories include the incorporation of Melrose as a city and a renovation of the Methodist Episcopal Church around this time.

As I try to narrow in on the date that the quilt was made, I'm realizing that there will likely never be anything more definite that a range, unless some new source comes to light that actually describes the quilt and tells why and when it was made.  For one thing, there probably was a year or so during which the quilt was being made, and the names list may or may not have been updated during that process.  Also, for example, people may not have donated to have brand new infants added or may have added names to the quilt in memoriam. 

I'm pretty sure that names of new infants and married surnames of women couldn't have been entered on the quilt before the events happened.  The latest such incontrovertible dates on the quilt are the birth of Grace Everson on March 21, 1897, and a fairly large gap until the marriage of William and Jennie Howes on June 28, 1898.  In that gap though, there are three marriages and two births that transpired in families that are named on the quilt.  But those new infants and married names are not written, in fact one of the new brides is written with her maiden name next to her husband-to-be.  So I'm assuming that their names were put on a list before the wedding.  There is no indication of births or deaths that happened later on in 1898 or in 1899.

I'm hoping to see lots of New England friends and family while I'm there.  And I'm hoping to meet new friends, too!

Part 1 describes the quilt and the initial research.  Part 2 details how I narrowed down the dates, and relates some of the interesting family stories I began finding.  Part 3 tells the story of the Phinney, Dyer, and Hersey families.  Part 4 has general observations on life in the late 1890s.   Part 5 sums up my research.  Part 6 shares the first information from librarians and historians in Melrose.  I wrote a little aside about the fun of being able to look at original records online.  And, since the quilt did initially come to me for repair, and I did eventually stop reading census forms and do the repair work, and wrote up the techniques and choices involved.  And then I went back to the research, and continued to find lots of great information.  After the events, I described the homecoming experience and the exhibits, and wrote about the little quilt I made that was displayed in Melrose.  A set of summaries of the data and stories that brought the quilt to life.  And a very astonishing coincidence with another quilt and a family tree.  I was given a photo of one of the people named on the quilt. 

Twisty Turny Genealogy Research

So, here's how I had fun on a cool, grey, damp Saturday afternoon.

I’m taking the next step in the research into the names on a quilt that was most likely made in Melrose MA, in the late 1890s.  The story of all the previous work is on this blog, starting with Part 1 and linking along for several more posts.  (The full list of links in below.)

Alanna Nelson, a Melrose fiber enthusiast and community builder, has taken it upon herself to plan a "homecoming" for the quilt in December, with all sorts of creative associated programming.  The quilt and I will be there, of course! 

Mending the Melrose Quilt

 

This quilt has been on a magical journey of rediscovery.

It was sent to me for repairs a few years ago.  When I told the owner that I'd poked around on ancestry.com and had found some of the names that were written on it, she most graciously gifted me the quilt so I could continue finding its history!  She is an author and historian and has been really happy that the quilt's story is resurfacing.  Turns out, she is Jane Anderson, the person who wrote the screenplay for the movie "How to Make an American Quilt." Honestly, this quilt repair biz has taken me down some pretty amazing paths!

I since have identified about 2/3 of the people named, and located the quilt in time and space: Melrose, MA - probably 1897-8.  You can read about the process in earlier posts, and the resulting exhibits here and here.  (A full list of links is below.)

The next step in the quilt's journey was a chance contact with Alanna Nelson, a textile lover and event planner who lives right there in Melrose, when she just happened to order my quilt repair book.  She has since been making plans for a "homecoming" celebration of the quilt in December 2018, with exhibits, programs, participation by local quilt guilds and local historians, etc., etc.  And, she put me in touch with the genealogist at the Melrose Library, who has shared records that the library holds that helped identify even more people.

The venue for the exhibits requires that the quilt be appraised for insurance during the event.  My appraiser friend, Sherry Branson, said I should do the repairs before bringing it to her.  So after being with me for three years, the quilt has finally been repaired!  Hee, hee!

Here are details of the repair process.  I found myself going through the same assessment process that I ask my customers to consider.  Not surprising, but I kept chuckling to myself, thinking - oh, so this is what it feels like.

Flexner Family Names on a Signature Quilt

Esther Abraham Flexner and Moritz Heinrich Flexner

A series of happenstances has lead me to connect names on a 1910 fundraiser quilt to one of my ancestors!  A whole new branch has been added to my family tree!

So pour a cup of tea and follow along on the detective trail.

The story of the research and discovery began back in 1984.  I was visiting a friend in Iowa when my obsession with quilts was brand new.  She and I went to the historical museum in Kalona.  There, among other things, I photographed a signature quilt with a dedication block that reads "M E Society / Jan. 1910 Kalona Ia."

Come Home Soon

Quilts can carry so much love and so many memories.  Here's one such quilt that came to me for repair.

 

The owner told me:

My mom bought it from an Amish lady she knows in Lancaster Pa. She owns a really successful shop there. She bought it for me while I was away on my Mormon mission. It’s called “Come Home Soon.”

All About Love

 

Here's a sweet quilt that came to me carrying this very moving story.

My husband was in a terrible accident 11 years ago and was very close to dying. His church made him a quilt that they put on him when he was in the coma. He loves this blanket so incredibly much. Our black lab ripped parts of it when she was doing that circle nesting thing that dogs do before they lay down.

Treasured Family Heirloom, part 1

There are many different ways to put a value on a quilt.  Sometimes, like with this one, it's the artistry and the family history that makes it a treasure.  This poor quilt has definitely seen better days.  The silks are pretty much totally shredded.  But even so, the spirit, variety, and skill in the embroideries are notable.  Add to that a wonderful family history, and the quilt becomes something to honor and stabilize as much as possible.

My Grandpa

 

Last week, I spent some time with a friend, researching her family on Ancestry, and finding some exciting things.  I was therefore inspired to do some more poking around in my own family files.  I discovered this delightful photo of my maternal grandfather in his senior yearbook at Purdue Univ.  He studied electrical engineering.  I have his Purdue class ring and other wonderful mementos.   He's the dapper fellow on the left.   I learned a few things - he played mandolin and his nickname was Mike.  Wonder how they got that from Maurice Henry?   He died when I was only 4, but I remember him clearly and the wonderful grandpa games he played with me.   I would go in their closet, he would knock on the door, and when I, being the housewife, opened the door, I never knew what kind of person he'd be portraying, milkman, window washer, salesman....   Such fun!  There's a 1950s game for ya!

Announcing! Quilt Repair Book - 2nd Edition!

Well, if it wasn't exciting enough to be able to say that I wrote and self-published a book, I now get to announce that the first printing has sold out, and I now have made a second edition - hot off the presses! 

Heirloom Quilt with Family Photos and Some Flashy Peacocks

One of my favorite parts of the quilt repair biz is when someone brings a family heirloom quilt and shares the story and occasionally even photos of the quiltmaker.  More often, people tell me sadly that none of their offspring care very much about "old things" or the family history.  But here's a quilt brought to me by a young woman who is very, very much in love with the family story.  Warms my heart!

Here is her story of the quilt and the quilter. 

Attached are photos of my Manx great-grandma. The first one is from just before she left the Isle of Man, she is in her early 20’s. The second photo was from the early 60’s.

     

Sleuthing Around a Quilt - Part 1 The Date and Story

I always love to see a quilt with vintage repairs.  Well, I've maybe coined a new term!  What I mean is that the quilt has been patched in the past by other folks who cared for it.  Vintage repairs speak volumes about how much history and love and meaning quilts can carry.

So here's an example of a cheerful quilt with vintage repairs that just visited my studio.

Stitching Our Stories

Stitching Our Stories is an exhibit currently running in Santa Fe through October 20.   It's at the Santa Fe Arts Commission’s Community Gallery, 201 W. Marcy Street.  The use of needlework to express  family and social history is one of my favorite topics.  I'd go for sure if I was anywhere close!

The subtitle is:  Connecting Immigrant and Local Communities Through Story Cloths and Conversations.

The programs and exhibit were created by Art and Remembrance, an organization founded around the needlework panels made by Holocaust survivor Esther Nisenthal Krinitz.  The panels illustrate her memories of her early life in Europe and her escape from the Holocaust as a young girl.

Art and Remembrance has created a program called HeART and Story which guides recent immigrants to create their own story cloths about their journeys.  Their work is also on display. 

You can see the lovely Esther Krinitz panels in a book, Memories of Survival, and a video Through the Eye of the Needle (which you can also purchase).

100-Year-Old Christening Gown

      

This christening gown is a family heirloom with a full pedigree.  The left photo is the front, right photo is the back, third photo is the matching slip.  Here's what the current caretaker knows about the gown:

Stories of Migration: Contemporary Artists Interpret Diaspora

Robert Bein, "Boat Travelers" (detail), 2015.  The George Washington University Museum.

This exhibit sounds great! 

Stories of Migration: Contemporary Artists Interpret Diaspora
https://museum.gwu.edu/diaspora

"In this timely exhibition, forty-four artists share personal and universal stories of migration—from historic events that scattered communities across continents to today’s accounts of migrants and refugees adapting to a new homeland. Co-organized with Studio Art Quilt Associates (SAQA) and with assistance from George Washington University’s Diaspora Program in the Elliott School of International Affairs."

Here are the exhibit details:

Through Sept 4, 2016

The George Washington University Museum and
The Textile Museum

701 21st Street, NW
Washington, DC 20052
Phone: 202-994-5200
museuminfo@gwu.edu

The artworks from this exhibit shown on the website are very powerful images. They are inspirational on both levels of creating art and of celebrating the human spirit in the midst of trauma.

Over the last couple of years, I have been gradually gathering information on my father's and uncle's escape from Germany in 1939 and on the other members of my family who were killed in the Holocaust.  I'd never considered making a quilt about them all!

The photo below was probably taken about 1915.  The little boy on the left is my dad.  In September 1939, he sailed out headed for New York City on the ill-fated British ship the Athenia, which was torpedoed by a U-boat on the day that England and Germany declared war.  He was rescued from the ocean the next morning by a merchant marine ship.  Neither of my grandparents were able to leave Germany in time, and most of their siblings perished as well.