The Exact Match

Finding just the right fabrics to restore a vintage or antique quilt can be a challenge.  The chances of The Exact Match are slim.  It's almost always about finding fabrics that blend in as unobtrusively as possible.  This is true whether using vintage or modern reproductions.

Sometimes fabrics that blend perfectly into the existing set of fabrics seem to fall into my lap, but sometimes a lengthy search ends up with settling for the better of several options.  

My restoration of this Lone Star quilt (1930s) serves as an example of the fabric search stage of quilt restoration.  I found these two potential greens at Reproduction Fabrics, my favorite source.  (I have no affiliation....)  One lacked the orange accent in the original fabric, and the other had a red accent, maybe too bright.

Video Skills Update

My January blog post on developing video skills for workshop teaching and YouTube outreach is in need of updating already! 

1.
I splurged (lucked into a sale!) on a great ring-light designed specifically for filming top-down demos.  I'm glad I waited until I'd done some filming without much investment past my DIY equipment.  That way, I knew what my situation and video goals needed. 

Double Wedding Ring Times Two

A customer sent me two Double Wedding Ring quilts made by her grandmother.  She asked if I could take pieces off of the more “loved up” quilt (great words!) and use them to restore the less damaged one.  The quilts were both totally scrappy.  Some fabrics appeared in both quilts, but not all.  This is the first time I’ve had the opportunity to try that scenario! 

The owner told me:
My grandmother... used my mom's little dresses and probably her sisters' dresses also. My grandmother had 5 girls.

Memory Quilt

 

Here is why people treasure quilts.  This quilt holds so many loving memories, symbolizes such a great story, and inspired this beautiful essay.  (Notes and photos on the repair process follow the story.)

My paternal grandmother made this quilt in the mid-1990s.  It was born from love that went back one long lifetime, and love that she wanted to carry forward several more lifetimes.

Grandma was a proud, tough “Okie.”  Born in 1919, she came of age in the worst hard times:  on a homestead farm between Hough and Guymon, Oklahoma, during the Dust Bowl and the Great Depression.  She was able to do some college.  But she left early, to join the WAVES during WWII.  Then, she married and had two kids.  She was stubborn, but she had a sweet streak, too.  Acutely aware that she was my only living grandparent, she tried to be all of my grandparents, all of the time.  She lived an hour away, but she often came to important school assemblies and birthday celebrations.  We spent every holiday together.  And I spent lots of time with her, at her old farmhouse.  We gardened, read, exercised, played piano, sang, danced, listened to opera, cooked, quilted, and crossworded together.  As she approached 70, she set her heart on finishing her bachelor’s degree.  She went back to school at an HBCU, where she connected with people from very different backgrounds and took down challenging advanced algebra classes.  She did well until she slipped on ice, broke her hip, and was never quite the same afterward.

Improving an Improved 9-Patch

***
Do you wish you knew more about repairing and caring for your quilts?  There's another session of my Preserving Our Quilt Legacy virtual workshop coming up in a few weeks.  Learn about techniques, supplies, fabric dating, etc., etc., and bring a quilt of your own for assessment for repair and future care.  Full information on content and registration is on my website.
***

I recently did some minimal repair work on this lovely Improved 9-Patch quilt. Well, it was just a few small places, but there was lots of thought and several important decisions.  It makes a good story of how my process works.

There were two pointy pieces that needed patching, and a few other places with some small tears. 

New Skills!

subtitle:  When the Living Room Becomes a Video Studio

sub-subtitle:  You're all invited to my Preserving Our Quilt Legacy Virtual Workshop.  We'll be discussing vintage and antique quilt repair and care.  The full description and registration on my website.  

So.  Running a virtual workshop requires the acquisition of a few new skills.  Well, more than a few. 

Preserving Our Quilt Legacy - Virtual Workshop - Winter 2022

 

You're invited to join me this winter as I share my nearly 40 years of experience with quilt restoration and conservation.

Philosophy
Techniques (includes access to demonstration videos)
Supplies (includes a packet of supply samples)
Fabric history and quilt dating
Storage, display, and cleaning (with guest lecturer Martha Spark)
Triage sessions to assess a quilt for each participant
Culminating in an on-going community of workshop alums

     

All the content and registration details can be found on my website.

5 Saturdays
3 1/4 hours each day
February 19 - March 19, 2022
via Zoom

Session recordings will be available for make-up and review.

  

   

1897 Wool Crazy Quilt

This family heirloom quilt has some unique embroideries and provides a glimpse into the quiltmaker's personality.  (And no, I did not leave my scissors on the quilt by mistake.  They are embroidered with a variegated wool thread, giving them a wonderful metallic appearance!)

Here's what the quilt owner told me about the quilt:
I believe it was made by my great-grandmother, Johanna Gerbracht (born: 1865).  She was married to Henry Gerbracht (born: 1863).  They lived in Chatsworth, IL.  The best record I have online says that she married Henry in 1888.  That would make the quilt (dated: 1897) around their 10 year anniversary.  Online records show that she had three children, one of whom was born in 1898/1897.  You would know better than I, but that quilt doesn't scream baby quilt to me.  So I'm assuming that she made it for her and her husband. 

There are plenty of photos below, and you can see some other views of the quilt and listen to more descriptive information in a short video.

Three Quilts, Three Generations - The Repairs

The family story of these three quilts is at Three Quilts, Three Generations - The Story.  Here, I will descirbe the repairs that I made to them.

The two crazy quilts were made primarily of wool and flannel fabrics.  One of the crazy quilts has an embroidered date and name, as well as more and more varied embroidered details.  The crazy quilts have some fabrics in common, so it's likely that they were both made around the same time.  The log cabin is cotton and significantly older. 

The repair techniques chosen for each quilt were chosen according to the kinds of damage, the age, available fabrics, and the owner's preferences.  We had quite a few long discussions!

Three Quilts, Three Generations - The Story

I recently had the pleasure of repairing three heirloom quilts made by three generations of quilters. Two are heavy, wool and flannel crazy quilts, and the third is a cotton log cabin.  (You can read about the repairs at Three Quilts, Three Generations - The Repairs.)

Here's how the owner describes the quilts:



Preserving Our Quilt Legacy - Virtual Workshop - Starting soon!

Hey, hey - I'm starting to get the hang of this video promotion situation! My second video is up and running. It's a little "tour" of a great crazy quilt that I've been repairing. 

And this video is by way, of course, of reminding you that the start date for my quilt care and repair workshop is coming closer and closer. You can register for the whole workshop, or for selected alá carte items. Full details and registration info can be found on my website.

 

Bringing a damaged quilt back to life is such a satisfying endeavor. It honors the quiltmaker and the whole of quilting history. You can check out this blog for stories and photos of the repairs of quilts like these:

beaded crazy quilt, made by the owner's grandmother

signed by the grandmother of the current owner

Improved Nine-patch, before restoration

 

Improved Nine-patch, after restoration

1894 wedding quilt, signed by friends and family

Preserving Our Quilt Legacy - Virtual Workshop

What do these things have to do with taking care of vintage and antique quilts?

 

Two-step greens?

https://www.vecteezy.com/free-vector/tap-dance" Tap Dance Vectors by Vecteezy

 

Straw needles?

Insect pins?

Cooper Hewitt, Smithsonian Design Museum, Public domain, via Wikimedia Commons

Come find out!  

I'm offering a virtual workshop this fall that covers quilt restoration, conservation, and preservation. 

There will be lectures, triage sessions for participants' quilts, how-to videos, samples of repair supplies, etc., etc.

You can attend the whole workshop - five Saturdays October 16 - November 13 - 3 hours per day.

Or you can attend selected lectures alá carte.

Or you can sign up for a private session with advice on mending and caring for your family heirloom quilt.  

All the details are on my website.  Email me if you have questions.  

 

 

 

 

Preserving Our Quilt Legacy - Virtual Workshop

Might I suggest a new quilt adventure for your fall?  I am teaching an in-depth workshop focusing on repairing and caring for quilts.  Here's the scoop:

The workshop covers:
• restoration
• conservation
• preservation
• identification and dating
------
• philosophies
• supplies
• techniques

We will start with the basic information in my book, Preserving Our Quilt Legacy, and explore the topics in more detail and with hands-on experience:
• lectures
• discussions
• "triage" sessions for students' quilts
• a library of how-to videos teaching stitches and repair processes
• specialty sessions (including how to run a quilt repair business and yoga for tired hands and shoulders)

Sewists, appraisers, and collectors - quilt lovers of all sorts - will all find useful information here.  

There is a maximum of 15 students, so everyone will have time for individual attention, and we'll have several Q&A periods.

 

The workshop takes place on 5 Saturdays, October 16 through November 13, 3 1/4 hours per Saturday, for a total of 16 1/4 class hours plus the set of how-to videos and other useful resources.

Class sessions will be recorded and available for students who have missed a session.  

Several of the lectures will be available separately for "alá carte" registration, as will private lessons and private triage sessions.  

I have 40 years of education gleaned from workshops, symposia, and reading, plus the experience of working with 400+ quilts.  I will be joined for some sessions by Martha Spark, who has long and deep experience with quilt restoration also.  My goal is to pass this knowledge on, and keep more quilt history alive.

Full description and registration can be found on my website:
https://www.annquilts.com/POQL_Workshop.html

Email me with any questions you may have:
annquilts@comcast.net

 

Quilt for an 1895 Wedding

I love a dated quilt.  I love a dated quilt with a family story (see full story below).  Combined together....well.... it's simply grand.

The fabrics have some preservation issues and staining throughout.  And at some point, a critter chewed a hole in the quilt and almost chewed a second.  The good part of that story is that the critter was polite enough to avoid chewing up any of the embroidered history.

#1

#2

Family Quilts: A Quilt from Every Generation for 150+ Years

A customer sent me a quilt for repair, and included photos of her collection of family quilts.  She gave me permission to share them with you here.  What a treat to have this many quilts passed down for so many generations!  And only one, the Grandmother's Flower Garden, was in need of repair.

The owner says:  

I have a quilt from every generation down through ones that my mother made for me and for her 9 grandchildren. My family tree goes back to the Mayflower as a direct descendant of John Alden and Priscilla Mullin; it also includes James Bell Stevenson, whose brother Adlai was VP of the United States and Secretary of War (equivalent now days to Secretary of State).  

(The owner's comments continue below in italics.) 

 
star (made by the owner's great-great-great-grandmother)
Made by Sara Ann McLure Marsilliott (12-19-1793/8-23-1868)
for her daughter Mary Jane Marsiliott           

tag:
Quilt by
Sara Ann McLean Marsilliat
(Mrs Jacob Marsilliat)
(1797-1868)

A Couple of Short Updates

 

1.  The Current Quilt Repair Job
What better way to spend some summer days than mending a mostly wool and flannel crazy quilt?  Well...yeah...I know...  I took this in-progress photo just for fun, and have decided I really like the photo as its own little piece of abstract composition.   

The dark fabrics are wool, the check is cotton flannel, and the red and white leaves are a woven upholstery-weight fabric.  It had pulled out from under the binding and frayed.  I took the photo when I was in the midst of inserting a nicely matching piece of wool, the bottom edge of which is turned under and stitched to the binding, the top edge of which is underneath the turn under of the fancy fabric.

Broken Star....Mended

The color play on this quilt is spectacular!  

This turned patching some of the diamonds into one of those good news / bad news situations.  Good news: the quilt is gorgeous.  Bad news: it really, really needs the perfect patching fabrics so as to not detract from the wonderful color play.

There were just a few diamonds damaged.  So it could have been a relatively quick job, but it wasn't....

Family Names on a Signature Quilt - Part 3

Well, well, well.  The story continues.  The backstory for this post can be found in two previous posts:

Flexner Family Names on a Signature Quilt
...in which researching names on a 1910 quilt traced the relationship between those people and my ancestors.

Family Names on a Signature Quilt - Part 2
...in which I was contacted by relatives of the people whose names are on the quilt, and they confirmed that whole new (to me) branch of my family.  The discussion left many more unanswered questions of the exact ties between the two branches.

---------------

And now for Part 3.  This chapter comes about because a second person came across these posts of mine while researching his own Flexner family history and wrote to me.  It didn't take much conversation to determine that we are indeed, also, related.  Our great-great-grandfathers (Moritz and Jacob) were brothers, so our common ancestors are our three-times-great-grandparents (Michael and Rebecca).  Isn't it marvelous to know the tree for that many generations?

A major question I had at the end of Part 2 was how the branch of the family on the Iowa quilt - descended from John Flexner - and my branch of the family - descended from Moritz Flexner - are connected.  The research of one of these new cousins of mine pretty well confirms that John was another brother of Moritz and Jacob.  They all emigrated and all headed branches of the Flexner family in this country.

My new-found cousin had traveled to the Czech Republic in 2019 as part of his research, and was able to locate and photograph the birthplace of my great-great-grandfather Moritz Flexner (b.1820) in Vseruby, Bohemia!  What a wonder!  He also found the birthplace of John and Jacob, in a different city, as the family had moved.