Favorite Quotes #5 - Becoming an Elder

"It's no good getting old, if you don't get artful."

I found this quote somewhere, so long ago that I don't remember where.  The only note I have says that it is a Yorkshire proverb.

I like the double meaning possible here, for an approach to Life in general, and for pursuing creativity and expressiveness.  I find it most uplifting.

Having recently passed my 60th birthday, I'm finding myself latching on to words and ideas to help me grow into the next stage of my life, thoughts about how to be an elder, and hopefully, a wise one.

I find I'm thinking of this chapter of Life as a time to gather the results of my experiences and share them, and as a time to give more space in my schedule for "just being", with myself and with others.  And don't these goals have a place in both kinds of artfulness.

I'm appreciating the style of the Red Hat Ladies - having fun, breaking with convention, and togetherness.  It's just around the corner now.

Publishing my book stems from my desire to pass along things I have learned.  And really, now that I think of it, the cover is nearly in the official red hat lady colors.  Oh!  Maybe I am a red hat lady already!

The photo is of me and the life-sized doll I made for a production of "Arsenic and Old Lace". The doll played the double roles of the bodies of Mr. Hoskins and Mr. Spenalzo with a change of jackets and an added hat.  Old and artful, the both of us!

Dresden Plate

This is a lovely quilt from the 1930s or 40s.  The pattern is a variant of the Dresden Plate known as Friendship Circle, the differences being that the spokes at the four quadrants have pointed tops, and that the center circle has four graceful ovals.  These special pieces are usually made in an accent fabric, in this case, a pumpkin orange solid.

One issue to be solved for this quilt was patching some worn pieces.  I did a bit of color manipulation on these, because the whites in this quilt have become quite yellowed and the other colors have faded.  The easiest fix was with this black fabric.  Using the reverse gave it just the dullness needed to not stand out from the original fabrics.  (The little swatch shows the right side.)

Delicate Edwardian Dress

I did a tiny bit of repair work on this lovely, delicate Edwardian dress.  As always, it is fascinating to hold and handle these amazing old pieces, explore the construction details, and marvel at the age and quality of the fabrics and laces.

Cheery Cherry Wreath

This quilt was made near Millmont, PA.  It was purchased in the early 1990s on the farm of an Amish quilter who was selling both her own quilts and those made by other quilters in the area.

The quilt block is called cherry wreath.  I like the clean, clear look of the quilt, due to the great balance of color, and the expanses of white.  And as every quilter knows, stitching all those circles is a challenge and requires an experienced hand at appliqué.

Wooden Art

My recent estate sale excursion found this lovely little box, which I bought for my daughter who crochets.  The design is marquetry, inlaid with dyed wood, not painted.  And very sweet and springy, too.

As a child, I worked on several marquetry kits, and loved doing it.  I still have them - that's how much I enjoyed making them!  

Pewter Buttons

I was at an estate sale this weekend, and found several dusty, dingy cardboard boxes filled with dusty, dingy old sewing supplies.  In amongst them, I found these unusual, to me anyway, buttons.  So of course, I brought them home.  

My brilliant husband identified them as pewter.  We found out that in the late 18th and early to mid 19th century, many, many buttons were made of cast pewter.  These, according to some Q&A pages and blogs, were made for the folks who do historic reenactments.  These are easily identifiable as reproductions and not originals, because the shank is cast on as one piece instead of being added after casting just the circle.  So, no Antiques Roadshow win for me this time!  I am still quite happy with the purchase and my new knowledge, don't get  me wrong.

These are Revolutionary War style, proudly displaying the initials of the new country.

Needlework That Tells Stories: Exhibit in England

While searching around for something else, I came across notice of this wonderful exhibition at the Time and Tide Museum (lovely name!) in Yarmouth, Norfolk England.  It's called "Frayed: Textiles on the Edge."  It runs through 2 March 2014.  I'd go if I could!

Here's the theme as expressed by Ruth Battersby-Tooke, the exhibit curator, on the exhibit blog:  "...we have collected people's stories as well as the objects .... that had relevance to the idea of making textiles as a therapeutic art.  Not only an occupational therapy, a meaningful and structured way of busying the hands to still the mind, but also a powerful way to communicate, a creative and expressive way to release an inner voice." (The photo above is from the exhibit blog.)