Quilt Repair Tidbits #3

The next post of fun quilt repair moments. 

This week:  a prize-winning family heirloom quilt.  Check out the design and sewing skills, about as perfect as a quilt can get.

I hope this beauty will inspire you to join in the virtual quilt repair and care workshop that I will be teaching in winter 2024.  All the info is on my website.  Email to be added to the mailing list for notification when registration opens.

The workshop will cover restoration and conservation supplies and techniques and how to choose which to use, and also, fabric history, and preservation concepts like storage and cleaning.  Everyone will get to show a quilt or two and we’ll discuss how to proceed with their care.

The marvelous appliqué.

 The marvelous quilting. The feather wreath echoes the appliqué.

Look at the border with alternating flower designs!

How many stitches per inch?!  Beautifully made!

There were a few areas of worn fabric.  Since the owner was planning to continue storing the quilt, we decided against doing any stitching into the weakened fabrics and left it as is. 

I recommended storing with proper materials, especially padding the folds with acid-free tissue paper rolls, and also, periodic refolding along different lines.  These will avoid worsening the creases that have formed which could eventually lead to more fabric damage.

The Woman’s Day Sweepstakes Prize for appliqué.  Unfortunately, some of the identifying info about the venue is illegible.  Quilt likely dates to the 1930s or so. 

Kudos to this quilter of the past for honing her skills and making this graceful and wondrous quilt!

Quilt Repair Tidbits #2

The second installment of weekly quilt repair tidbits and photos.

Schoolhouse quilt, c. 1915-20

This week: a wonderful schoolhouse quilt, a lovely and unusual rendition of a favorite traditional block.  One of the benefits of working with antique and vintage quilts is that it’s like having your own up close and personal quilt show!

I hope I can inspire you to join the virtual quilt repair and care workshop I’m planning for winter 2024.  All the info is on my website.  Email  me to be added to the mailing list for notification when registration opens.  

The workshop will cover restoration and conservation supplies and techniques and how to choose which to use, and also, fabric history, and preservation concepts like storage and cleaning.  Everyone will get to show a quilt or two and we’ll discuss how to proceed with their care. 

 

The most damaged block, very ragged fabrics.  I recommended against patching (restoration) and for covering the worn fabrics with fine netting (conservation) to protect them.

This block also has the highest color contrast, which means one color of net doesn’t look equally good on both fabrics.  My assistant Pam and I agreed that patching with two colors of net will look best, light for the sky and building structure, navy for the house shapes.

So you can see why this quilt is such special fun, here’s a quilt with the traditional Schoolhouse block.

 

Quilt Repair Tidbits #1

 

The worktable.  Grandmother’s Flower Garden c. 1980

I’m starting a new little outreach project here.  A weekly tidbit and photos.  A new insight or skill?  A really cool fabric?  Who knows what it’ll be!

This week’s tidbit:  I’ve found myself ending up patching with fabrics that at first glance I was sure would look terrible.  They certainly aren’t exact matches, but end up being just right.

My underlying goal is to inspire new students for the virtual workshop I’m planning for winter 2024. All the info is on my website.  And you can email me to be added to the interest list for notification when registration opens.  

At the workshop, you’ll get to bring a quilt or two for show-and-tell and discussion of how to proceed.  You’ll learn about fabric history to have guidelines of what to look for in patching fabrics.  You’ll have access to a video collection of stitching how-to.  It’s really fun!

A block I repaired using a large floral to patch over a very geometric print. Color ended up being the important factor.

On a previous visit to my “quilt spa”, I patched this block with a fabric that looked pretty good (bottom center).  On this visit, I found I needed more of those hexies but didn’t have more of that fabric.  You can see sample fabrics pinned on during the choice process. 

The final result.  I decided to remove my prior patch and replace it with my newly found fabric.  This is exactly the same dynamic as in the second photo - color is most important.  

The moral of the story:  Try every fabric you possibly can, even things you are sure won’t work.