June 18, 2019
Antique Wedding Dress, 1872
This dress was worn by Margaret Jane McCornack at her wedding to Myron Gage on May 14, 1872. The dress has been passed down in her family, and is now in the possession of her great-granddaughter. She told me that the McCornack family came from Scotland to the Elgin, IL, area in 1835 for religious reasons. Margaret’s father Alexander McCornack was born in St. Luce parish south of Glascow. The Gage family came to the US in the 17th century.
The dress is now headed to the Elgin History Museum. Margaret's great-granddaughter brought it to me for mending before it goes to the museum.
To add to the fun, here's a family portrait taken the day after the wedding. Margaret is sitting on the far left side in the second row. Her father and mother are seated on the right of the second row.
The dress is a textured silk, in one of those colors that just won't stay put in any one category. Is it an olive-greeny grey? Or is it a greyed olive green? We shall never know for sure! It is lined with a medium brown polished cotton.
June 3, 2019
Tree Sisters
A Facebook group called Tree Sisters put out a call for 12" blocks to be joined into a quilt to be displayed next year, the "Year of the Tree". An idea popped into my head, so I went for it.
(Submission deadline is July 1. And there's room for some more blocks. Here's info on making and submitting a quilt block. )
I remember being fascinated when I first learned that trees and other plants have just as much size and spread under the ground with their roots as above ground with their branches. Up until then, I guess it was kind of out of sight, out of mind. So my design represents that. And by showing a more complete view of a tree, I've also included the earth and all those underground process of growth and nourishment.
Labels:
art quilts,
collage,
design process,
trees
May 26, 2019
I See You
I finished this little quilt a few days ago. It is now en route to the Sacred Threads exhibit, to be held in Herndon, VA, July 11-28, 2019. From the website:
"Sacred Threads is an exhibition of quilts exploring themes of joy, inspiration, spirituality, healing, grief and peace/brotherhood. This biennial exhibition was established to provide a safe venue for quilters who see their work as a connection to the sacred and/or as an expression of their spiritual journey."
This year in addition to the main exhibit, there is a special project called Eye Contact: Creating a Connection.
"There is a famous quote by Cicero (106-43 B.C.). 'Ut imago est animi voltus sic indices oculi' (The face is a picture of the mind as the eyes are its interpreter). 'The eyes are the window of the soul' is a variant form of the proverb..."
Labels:
appliqué,
art quilts,
design process,
Eye Contact
May 11, 2019
Visible Mending
Generally, whether repairing clothes or quilts for my customers, my goal is invisible mending. But with visible mending being all the rage these days and I enjoy embroidery, so I thought I'd give it a go.
I've been looking at all sorts of mends that folks are posting on social media. I've decided that what I like best are mends that neaten up the tears and holes. And what I like even better are mends that make something artsy and fun out of the patches and mending stitches themselves.
Labels:
creative mending,
embroidery,
visible mending
April 10, 2019
Garden Paths
Here's the quilt currently on my work table:
Quite honestly, Grandmother's Flower Garden is not one of my favorite patterns. And I do get quite a few of them coming in for repair, so I spend quite a bit of time looking at them.
If I ever make one, which is not at all likely, it'd be like this one. I like the addition of the tiny diamond paths between the flowers. These hexies are about 7/8" inch on a side, and the piecing and quilting are quite nicely done.
Also, I really love this particular print. Firstly, it's green. And secondly it's got curvey, viney lines. My favorite kind of print in my favorite color!
Quite honestly, Grandmother's Flower Garden is not one of my favorite patterns. And I do get quite a few of them coming in for repair, so I spend quite a bit of time looking at them.
If I ever make one, which is not at all likely, it'd be like this one. I like the addition of the tiny diamond paths between the flowers. These hexies are about 7/8" inch on a side, and the piecing and quilting are quite nicely done.
Also, I really love this particular print. Firstly, it's green. And secondly it's got curvey, viney lines. My favorite kind of print in my favorite color!
April 1, 2019
A Fun Couple of Weeks
I've had a bit of a lull between repair projects these last couple of weeks, and have been enjoying working on projects that are mostly for me, meaning they mostly don't have anyone waiting at the other end for me to finish them. So relaxing!
Here's what's been on my worktable:
Here's what's been on my worktable:
March 20, 2019
Booming!
My friend Julia of Basya Berkman Vintage (the person who supplies me with all the fun clothes needing creative repair solutions that you see in these posts) has told me that I need to do this bit of shameless self-promotion. This is not in my nature. At all. But I am following Julia's advice.....
Labels:
book on antique quilt care,
quilt repair