More Embroidery for the Social Justice Sewing Academy

I wrote about the Social Justice Sewing Academy in a post last fall, and showed these first two blocks I worked on.  You can hear a great interview with SJSA founder Sara Trail at the Just Wanna Quilt podcast.

     

A quick summary:  Blocks are designed and created (pieces glued on) by young people to express their social justice concerns and dreams.  The blocks go to sewists like me who embroider them to attach all the pieces securely and add texture and depth.  Then the blocks are made into quilts by more volunteers and sent to galleries and shows.  The final result is a bunch of young people who learn that art can express who they are and that their concerns can be heard.  It's simply wonderful!

I kinda forgot to keep posting blocks, so here are the next four that I've done.  The project is both fun and extremely fulfilling.  It is a true blessing, tapping into the great emotional depths and wonderful visual expressiveness of teens who need to be heard.

Family Heirloom Needlework

This is a spread made by my paternal grandmother.  I believe the needlework technique is called net darning.  If anyone knows differently, or can tell me more about the technique, I'd love to hear from you.

My grandmother's name was Martha Nathansohn Wassermann.  She was born in Stargard, Pomerania.  Pomerania is a region that is currently split between Poland and Germany, but the border has wobbled over the centuries.  She had five sisters and one brother.  She and my grandfather Karl Wassermann lived in Bamberg, Bavaria, Germany.  They had two sons, Heinz my dad (on the left), and Kurt my uncle.  This photo was probably taken around 1914-15. 

 

I'm Loving Visible Mending

So, my jeans which are a little big on me and thereby super comfy (I'm a fan of baggy clothes), split at one knee.  I keep a stash of the good bits of discarded jeans for just these times.  Usually I make a basic rectangle patch and stitch it on.  But I've been bitten by the visible mending bug now, so a basic rectangle just won't do!

I thought about how it was kind of like a blinking eye with my kneecap poking out, and boom, decided to mend it with an appliquéd eye.  I enlarged the eye I used for my Eye Contact project for the Sacred Threads show.  I used a variety of denim colors, and here's the result.  I am, as I'm learning to say from my internet friends across the pond, chuffed. 

Here's the Eye Contact quilt I made last spring.

 

 

There's now a catalog of the exhibit.  I highly recommend it.  I always love a good challenge project with all the myriad variations on the theme.  This collection does not disappoint.  So many varied techniques and interpretations!

Dog Meets Quilt. Visible Mending to the Rescue!

I highlighted my first foray into the fun of visible mending just a few months ago.

Visible mending is all the rage these days in the reduce, reuse, and recycle community.  It's a way to mend clothes by adding stitching that adds to the fun of wearing them while keeping them out of the landfill for as long as possible.  It also helps the clothing tell the story of its long life and expresses the appreciation of the person or people who have worn it.

Here's visible mending of a quilt.  A repair student of mine had her dog chew a hole in her own bed quilt while I was guiding her through repairing and re-backing a Victorian crazy quilt for a friend.  She sent the story and step-by-step photos so I could see, and agreed to let me share them with you here.  Thanks, Pam!

Polka Dots!

I made a small polka dot themed quilt as part of the copyright study at Just Wanna Quilt.   The basic question is to find the line between what's unique enough to be copyrightable and what is considered too common (eg., basic polka dots).  (By the way, any and all are welcome to join the project and make all sorts of things.  Visit the facebook page to sign up.  It's a great group, lots of interesting and fun discussions on all sorts of quilt-y topics.)

That may sound all highfalutin (which I discovered is actually in the dictionary and I spelled it right!), but actually I'm just using it as a reason to play with my stash.  You know, always so fun!

So, the background is white satin from a wedding dress that was too badly damaged to be re-saleable, but good in places for fabric and trim salvage.  And the polka dots are reverse appliqué, with machine zig-zag and invisible thread.

Remember Me

 

There used to be an antique quilt gallery here called the Wild Goose Chase, and I used to work there.  That's where I got my start in repairing quilts.  (Photo from 1980-something.)

 

My mom, though not a quilter, found and bought an intriguing quilt there every time she visited.  This is my favorite of the ones she bought.  I think she was drawn to this one because she did lots of embroidery, and because she loved good novels.  This one has a such sweetness to it and surely held some meaningful stories.

Quilts by Aunt Betty

I've recently had a lovely woman visit me with her collection of family quilts.  These two were made by her Aunt Betty.  The owner says she only met Aunt Betty a couple of times, but remembers her as a very happy women.  We both think that Betty's quilts display her spirit quite clearly!

This one is a basic LeMoyne Star block.  What I love about it is the happy mix of colors, and the way Aunt Betty played with color placement and combinations in a most enjoyable way.