Welcome to Ann Quilts
Back in August 2017, my husband and I traveled to Paducah, KY. The city shared the happy coincidence of being the home of the National Quilt Museum and also being located, not only in the path of totality for a solar eclipse, but also at the point of longest totality. Perfect!
Soon after, I posted the story of the journey and the marvels of viewing a total eclipse.
And now, quite a few years later, I've completed a quilt to commemorate the magic and beauty of the eclipse.
The category "Hawaiian quilt" probably conjures up the well-known style of quilt developed in Hawaii. These quilts use two large pieces of solid-color fabric. One piece is folded like a paper snowflake, cut in an intricate botanical pattern, carefully unfolded onto the base fabric, and appliquéd down. Then, it is quilted in parallel lines that echo the shapes of the appliqué.
This quilt was made in Hawaii, as the machine embroidered label tells us, but varies from this famous design style.
Sometimes fabrics that blend perfectly into the existing set of fabrics seem to fall into my lap, but sometimes a lengthy search ends up with settling for the better of several options.
My restoration of this Lone Star quilt (1930s) serves as an example of the fabric search stage of quilt restoration. I found these two potential greens at Reproduction Fabrics, my favorite source. (I have no affiliation....) One lacked the orange accent in the original fabric, and the other had a red accent, maybe too bright.
My January blog post on developing video skills for workshop teaching and YouTube outreach is in need of updating already!
1.
I splurged (lucked into a sale!) on a great ring-light designed specifically for filming top-down demos. I'm glad I waited until I'd done some filming without much investment past my DIY equipment. That way, I knew what my situation and video goals needed.
A customer sent me two Double Wedding Ring quilts made by her grandmother. She asked if I could take pieces off of the more “loved up” quilt (great words!) and use them to restore the less damaged one. The quilts were both totally scrappy. Some fabrics appeared in both quilts, but not all. This is the first time I’ve had the opportunity to try that scenario!
The owner told me:
My grandmother... used my mom's little dresses and probably her sisters' dresses
also. My grandmother had 5 girls.
Here is why people treasure quilts. This quilt holds so many loving memories, symbolizes such a great story, and inspired this beautiful essay. (Notes and photos on the repair process follow the story.)
My paternal grandmother made this quilt in the mid-1990s. It was born from love that went back one long lifetime, and love that she wanted to carry forward several more lifetimes.
Grandma was a proud, tough “Okie.” Born in 1919, she came of age in the worst hard times: on a homestead farm between Hough and Guymon, Oklahoma, during the Dust Bowl and the Great Depression. She was able to do some college. But she left early, to join the WAVES during WWII. Then, she married and had two kids. She was stubborn, but she had a sweet streak, too. Acutely aware that she was my only living grandparent, she tried to be all of my grandparents, all of the time. She lived an hour away, but she often came to important school assemblies and birthday celebrations. We spent every holiday together. And I spent lots of time with her, at her old farmhouse. We gardened, read, exercised, played piano, sang, danced, listened to opera, cooked, quilted, and crossworded together. As she approached 70, she set her heart on finishing her bachelor’s degree. She went back to school at an HBCU, where she connected with people from very different backgrounds and took down challenging advanced algebra classes. She did well until she slipped on ice, broke her hip, and was never quite the same afterward.
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Do you wish you knew more about repairing and caring for your quilts? There's another session of my Preserving Our Quilt Legacy virtual workshop coming up in a few weeks. Learn about techniques, supplies, fabric dating, etc., etc., and bring a quilt of your own for assessment for repair and future care. Full information on content and registration is on my website.
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I recently did some minimal repair work on this lovely Improved 9-Patch quilt. Well, it was just a few small places, but there was lots of thought and several important decisions. It makes a good story of how my process works.
There were two pointy pieces that needed patching, and a few other places with some small tears.
