Welcome to Ann Quilts
This quilt is basically a utility comforter. It's made of large scraps and tied with yarn. The ties are done with many colors that march in lines across the quilt rather than being a scattered mix. I think this makes the quilt quite fun!
Plus, it's had a mishap that I think actually makes it kind of wonderful.
This small quilt that came to me for repair is a family heirloom with a touching story.
Here's the story as told by the owner:
Thanks so much for restoring this quilt. It was made for my grandfather
around 1962-63 after he suffered three consecutive heart attacks. Two
women who worked in his accounting practice made the quilt, so it is
precious to me.
What made the repair fun for me were the fabrics.
The fabric with the most disintegration was probably silk, given the nature of the damage. But the rest are probably rayons. (I didn't do any fiber testing because there weren't any really loose threads to remove and test.) The feel of the quilt is wonderfully soft and light, a real pleasure to handle while sewing.
A flash of inspiration birthed this quilt. It celebrates the wedding of two of my daughter's super super good friends.
They married last fall with a destination wedding in Italy, a gorgeous setting. This quilt is my rendition of a photo taken on The Day.
The owner sent me these photos of her gorgeous crazy quilt for an initial assessment. She and I decided not to do any repairs at this time. However, it's such a beautiful quilt that I wanted to share it, and I am grateful that she has allowed me to share her photos.
It was made for my great great grandfather John Davis Cassada when he was born by his mother Lucy and his aunts. Many were single or widowed from the Civil War. All the initials are attributable to family members. They were very thrilled to have a male in the family and used many 'fancy' scraps of silk and velvet.
John Davis Cassada was born in 1874. His mother's name was spelled Lucie and Lucy alternatively. John was born in South Boston, Virginia. His family moved and he married and settled in Halifax then Raleigh area North Carolina.
The reason I didn't have her send the quilt to me for repair is that the damage, shattering silk, is minimal for a silk quilt of this era. Shattering is the damage caused by metal salts that were sometimes added during the manufacturing of silks during the Victorian era.
I am fascinated by this quilt. It was brought to me for minor repairs by the granddaughter of the quiltmaker. (Thanks to her for the photo above.) Not only are the design and fabrics really interesting, but the stories about the woman who chose them are great, too.
First, the design. I don't remember ever seeing a quilt like this, with it's plain, all-white center panel with a frame and the deep appliquéd drop around the sides of the bed. Have any of you seen such a quilt?
My mind wants to place it in the 1960s and as a pattern found in a women's magazine of that era.
The fabric choices are wonderful. No tiny calico prints for this lady. The prints are larger and bold. The flowers are more than 6" across, stylized and unusual.
Hi, everyone! I'm announcing a new video on my YouTube channel. It's a bit of a tour of my quilting studio and fabric stash.
You'll see fabrics, new art quilts, and loads of doo-dads.
Click here to access the video.
Please come visit!
(You can also find my channel and see the whole video collection, and my interview on the Just Wanna Quilt podcast, by searching in YouTube for my name - Ann Wasserman.)
So yes, I guess I have to admit to working on lots of things (too many?) at the same time. Here's what ended up on my work table by the end of the day on Saturday:
Clockwise from upper left:
Across the top: Two baggies of sheer fabrics for textile conservation. They are soon to be pressed and cut into square swatches be included in the supplies samples kit for my upcoming workshop. (Preserving Our Quilt Legacy Virtual Workshop)
These are mostly covering up a little quilt, nearly completed, a wedding gift. You can see just a bit of blue sky and wood grain fabric frame. I can’t reveal it yet, but once it’s been given, I will blog about it.
Bottom right corner: Box of threads.
To the left of that: Little cardboard box with more supplies for the samples kit.
Prepped supplies: needles and pins on a piece of labeled muslin, thick threads wrapped on sticks. My round tins of straight pins and safety pins. Eraser. Little basket of scraps.
Bottom left corner. Two fabrics chosen for the current repair job. Two papers - one with the workshop class list - one with notes taken from a very useful conversation I had on Saturday.
Left edge center. Fabric samples that will be used in the lecture about supplies that I’ll give during the workshop.
Sundays are my no-quilt-biz days. I made a new jar of almond butter - it's soooooo good when it's fresh. And I did some house cleaning, far from my favorite thing to do. But this time, somehow it seemed the right thing to do and was actually not so onerous. I wish those moments came around more often! I made my weekly diary, a compilation of photos taken during the week, photos of what I'm doing and any pretty or curious things that come along. I watched videos, lounged, mused.
Monday, I did some more workshop kits prep, this time samples of sewing threads I use. Packed repaired quilts to send back to two customers and a box of my books going to Martha Spark who kindly offers them for sale at her lectures and workshops. Answered quilt repair emails. Drafted this post. And lots of this and that.
So yes, just a few things going on at once. Sometimes it seems too much and the logistics of it all get annoying, but then again, I just can't say no to new ideas as they come along, and I really love having quilts and quilting be the center of my life.
Ta-da!!!!
