Lovely Laces and Buttons

Here's a lovely little chiffon blouse from the Basya Berkman Vintage collection.  The only mending help it needed from me was re-attaching loose snaps.  I'm sharing it here because the laces and buttons are so delightful.

The buttons, which are decorative only, are sweet little crocheted covers over solid bases. (The front placket snaps closed.)

 

Glowing Lone Star Quilt

Here's a quilt that's definitely "one to write home about", or in this case, ha-ha, one to write a blog post about.

This 1930s beauty was sent to me for repairs.  The ring of green diamonds was pretty much totally in shreds, and the ring of tan diamonds was not far behind.  In the end, the owner and I decided to have me replace all the greens and just the tans that were in the worst shape.

That decision hinged on finding fabrics that blended well with the originals.  I ordered swatches from my favorite on-line source, Reproduction Fabrics, and took photos to compare them and pick the best match.

Cozy Log Cabin and Woven Gingham

This cozy log cabin / straight furrow quilt dates to around the 1920s or early 1930s.

That first photo isn't cropped badly.  This quilt actually has just one border.  And that one border was a pretty bold color choice, given the main colors used in the blocks.  The red border fabric was the only one that had started to give out, along with the gingham binding which was the back fabric brought around front.  I used a red reproduction print replacement, and also re-bound the edge with a vintage woven gingham.

Little Cat Quilt

A repair customer brought me some of her other quilts to look at, just for fun.  Here's one of them.

I like it because I like cats.  I also like it because it's signed and dated - 1997 - another quilt that can help document and date fabric colors and styles.  I'm quite fond of finding these and adding them to the online "data base".

Two Quilts

I spent last week visiting the Seattle area.  What a lovely part of the world! 

To make the experience even more fun, there were two quilts with some great conversation prints at my friend's house.  Both are signed and dated.

This quilt is called "Gypsy Wife Bicycling" made by Durlyn Finnie of Seattle in 2015.  The combination of patchwork blocks and strips and bright colors make for quite a cheery quilt.  I got to sleep with this one!

Durlyn collected absolute gobs of fabrics with cyclists and bicycles of all sorts and colors.

Sailing Ships

I repaired a very, very worn basket quilt made in the 1880s or 90s.  It was so tattered that all I could do was put on a new back and stitch what was left to the new backing for support. 

The background and alternate blocks fabric was wonderful.  It's a conversation print with detailed masted sailing ships and anchors.  The designs are about 3/4" tall.  Here's one of the alternate blocks that was still intact.

Such a fun fabric!  I'm getting more and more into collecting conversation prints.

Button Heaven

For those of you, who are like me, totally addicted to Buttons, the Warther Museum is a must-see.  At the very least, it's an idea for what to do with all the button jars and boxes that I can't help myself from buying!

Here's the intro to the Button House section of the museum from the website:

"Freida Warther spent her life button collecting and amassed over 100,000 while creating a unique display of 73,282 buttons on the walls and ceilings of her button house in Dover, OH.

Freida began button collecting at the age of 10 and collected for the next 83 years. She collected about every type of button including: hand-painted ceramic buttons, Goodyear rubber buttons, pearl buttons, brass military buttons, celluloid buttons, calico buttons and even a button from Mrs. Lincoln's Inaugural Dress.

After her children were grown, Freida started laying her buttons out in her own unique designs and quilt patterns. Once the buttons were laid out, she sewed all the buttons onto the boards by hand."

The actual focus of the museum seems to be wood carving:

"The Warther wood carving musuem is the home to over 64 model trains all carved to exacting detail. Mooney Warther loved the steam engine and at the age of 28 he began carving the history of the steam engine. In addition there are numerous smaller wood carvings including, walking canes, plaques, and "whittlings" on display at the wood carving museum."

These two were certainly a creative and interesting couple!  The gallery has photos of both the carved trains and Frieda with her buttons.  I do love buttons!

Family History

Today marks what would be my mother's 100th birthday.  In honor of her and my dad, whose 100th I missed a few years ago, I'm posting these photos.

These portraits, taken shortly after their marriage in 1946, stood on my mom's dresser.

My mom was born and raised in Chicago.  I love this photo of my infant mom and my grandma, 1916.  Isn't my grandma's hat perfectly huge?

Hugs and Kisses Crib Quilt

One of my best friends just became a Grandma!  I've known her son, the new papa, since before he was born, as the saying goes.  So a crib quilt was in order.

I saw this quilt on Pinterest.  Such a cute idea for a baby quilt, and also fun with lots of scraps, which I have aplenty.  The pattern and instructions can be found at Moda Bake Shop. 

These are 4 16" blocks plus sashing and borders, ending up with a 40" square quilt.

And here's the handsome little fellow at a week and a half old, already knowing exactly what to do with his quilt!

And by the way, if you are interested in following this family saga, the happy parents were the recipients of the wedding quilt I wrote about a few years ago.

Paintings by Ella Gardner

My friend's grandmother Ella Gardner was a prolific painter.  And she also made quilts.  She painted lovely scenes of rural Wisconsin life, her Amish neighbors, and my favorites of course, quilters doing what we do best - making and loving our quilts.

There is an exhibit of Ella Gardner's paintings up now through  March 12 at the Steenbock Gallery in Madison, WI.  The Wisconsin Regional Arts Program has created a lovely page about Ella Gardner and her art. 

Quilting Party

Rescuing a Double 9-Patch

Here's a nice old quilt with two large, dog-chewed holes.  Needless to say, this is never a happy circumstance....

The first step was adding new cotton batting, basting down the raw edges of the holes on both front and back.  After that, I patched the back with a solid blue. 

    

   

Mushrooms!

I found this delightful fabric on the back of a cotton crazy quilt.  The top was probably pieced in the 1950s, but I think this backing was applied a little later.  The color palette says 1970s to me.

It's really silly and happy, isn't it?

The cluster of mushrooms measures 1 1/2" tall.

The quilt was very, very damaged.  The backing and batting were mostly torn and gaping in many places, and lots of the top had barely a single piece of intact fabric.  I did manage to salvage and mend a few corner areas for keepsakes.   And I found enough fabric intact on the back to take a couple of photos for my (and I hope your) enjoyment!

1934 Sock Top Quilt

A short while ago, I repaired a late 19th century baby-sized crazy quilt.  The quilt's owner shared her family photos to add to my blog post about her little quilt.  As I keep saying, I meet the nicest people when I work on their quilts!

Well, her kindness didn't stop there.  She oh-so kindly sent me this photo of a quilt she saw on exhibit at the Mingei Museum in San Diego.  It is labeled "Sock Top Quilt", made by Ada Jones in 1934.

 

"What's a sock top?" you ask.  I certainly had no idea. 

A 9-Patch Quilt with Many Stories

Some quilts are repositories of stories, memories, and love.  This is one such quilt.  It was made c. 1950 by the owner's mother.  She can relate the stories of all the fabrics in it.

The quilt is still used by its owner and her husband as a lap quilt on the couch.  The original binding was tattered, there was a hole, and and some of the fabrics were starting to wear.  Her husband found my website, and sent the quilt to me for a fix-up.  A loving gift indeed!

Denim and Flannel

This quilt was made about 10 years ago, and has a sweet story.  It's been much loved because it was made by a father for his daughter.  I always like to give kudos to a guy who makes quilts!  I love the subtlety of all the shades of denim blue.

Darn It! - Creative Mending

This post about creative mending is in honor of my personal New Year's tradition of mending everything I can during this week.  (I don't just do sewing mends, but I'm not going to tell you here about the new seat in my bentwood rocker and stuff like that.)  I like the symbolism of starting the year with a clean slate.  Or mostly clean slate.  I'm coming to terms with the reality that Life is never fully mended....

A short while ago, my blog was mentioned on a site called "Sew Mama Sew" - nice name, huh?  The article is called "All About Textile Repair: How to Repair with Stitching".  The theme is about making repairs that add something new - sparks of color, whimsy, a new design element, etc.

The photos in the article show loads of ways to use darning, sashiko stitching, and the like.  It looks really fun!  It makes me reminisce about the good ol' hippie days, when jeans were patched/embellished with colorful fabrics and embroidery.

More About Conversation Prints

The previous post is about a 1940s hexagon quilt that has opened my eyes to mid-century conversation prints.  Barbara Brackman in her book Clues in the Calico defines conversation (aka conversational) prints as prints with recognizable objects other than flowers.

There are conversation prints from the late 1800s onward.  Brackman distinguishes the 20th century prints as less detailed and having more colors than the 19th century prints.  I would add that they tend to be very whimsical.

While poking around for info on these fabrics, I discovered a book that I think is going on my wish list:  Conversational Prints: Decorative Fabrics of the 1950s by Joy Shih

Here's a look back at some other blog posts of quilts I've repaired that I now realize have some very fun conversation prints:

The Joy of Conversation Prints

I recently repaired a 1940s hexagon quilt.  It was made by the owner's mother when she was a teen.  It's a smallish quilt, quite likely made for a twin bed.  There are cottons, rayons, and also, I think, a couple of silks.  It's what is generally called a summer quilt because it has no batting.  It needed several hexagons patched and a whole new back.

To be honest, this mid-century period is just not my favorite design-wise.  This is true of the fabrics and colors in the quilts as well as furniture design, and so on.  In other words, when an estate sale is full of supposedly exciting mid-century items, I usually don't go.

But this quilt taught me that I actually do like some of the fabrics from this era!  This is a good thing, since quilts of this age are coming to me more and more often for repair.

I am in love with conversation prints!  The most succinct definition of conversation (aka conversational) prints I've found (Barbara Brackman's Clues in the Calico) is that they have renditions of recognizable objects other than flowers.

Favorite Quotes #11 - So Many Truths

Musings as we spin from the old year to the new one.....

I've liked this quote for many, many years.  It is from Letters to a Young Poet by Rainer Maria Rilke.

"...show patience towards everything in your heart that has not been resolved and to try to cherish the questions themselves....  Do not hunt for the answers just now -- they cannot be given to you because you cannot live them.  What matters is to live everything.  And you must now live the questions.  One day perhaps you will gradually and imperceptibly live your way into the answer. "

Indigo Baskets

Indigo and white quilts are clear and clean, always eye-catching.  And the basket block always has such a lovely, old-timey feel.

This one, besides having such a lovely look, has the date quietly embroidered in the center block: 1888.

Eye-Popping Pickle Dish Quilt

A customer sent me photos of this lovely, lovely Pickle Dish quilt, curious about how to deal with the differential fading of the navy fabric.

Renaissance Gown

 

I made a Renaissance-style gown for myself.  I belong to a little group that plays for English country dancers (as seen at any ball you've seen in movies of Jane Austen novels).  When we play for the Christmas Madrigal feast at one of our member's churches, we go in costume.

When I make costumes, I always start with the internet.  I found some great illustrations for style inspiration.

Then I went resale shopping.  I decided to combine a maroon velvet jumper, a nicely patterned navy tablecloth, and a woven blue decorator fabric scrap for trim.  I much prefer having a base piece of clothing or two to start with than working totally from scratch.

Sunburst Quilt

 

I love this quilt! 

The blocks are c. 1860.  And some of the fabrics were in pretty bad shape.

 

Then some 120 years later, in 1980, the circles were set into squares and the quilt was backed and quilted.  That event is recorded in embroidery on the back of the quilt:

 

“Quilted: 1980  Carversville Pa”

A Quilt from a Galaxy Far, Far Away

 

For the past few years, I've been creating a quilt series called Something From Nothing.  These are generally just-for-fun, design experiments.  In addition, I've been making a more major piece, like this one, each year as my entry for the Fine Art of Fiber show.  (More info on Something From Nothing: intro to the series and quilts of 2015.  Previous fiber show entries: Cleopatra's Fan 2014 and What the Birds See 2013.)

The title of the quilt is Gas Giant.  No, this is not Saturn.  This is a planet in a solar system or galaxy that we haven't seen yet.  Gas Giant is probably the largest piece so far in the series (78" x 44").  Being about outer space, it needs to be pretty vast, right?