Visit Ellen Anne Eddy

My quilting friend Ellen Anne Eddy has graciously posted a most lovely review of my book.

While you are at her website, be sure to take a walk through her colorful world.  Ellen calls what she does "thread magic" and that is such a perfect name!  You will find animals and plants executed in densely stitched, sparkling threads.

This quilt is called "Dancing in the Light."  It is 55" x 69".

Ballet Costumes and Inspiration

Welcome to some pre-holiday fun.

I recently visited Victoria Dancewear, a local ballet costume company.  Victoria designs ballet costumes, and has been in the clothing and costume biz all her life.  Victoria is my friend Julia's aunt, "the" Julia who sends me all the fun vintage clothing to repair for her Etsy shop.

Both Victoria and Julia credit their ancestor Basya Berkman for their love of clothing and design.  In fact, Julia named the Etsy shop in her honor.  It is so heartwarming that such an obviously creative and loving woman has such a wonderful legacy.

Cleopatra's Fan

My entry in this year's Fine Art of Fiber show is another in my series of quilts called Something From Nothing.  This is my own little challenge project, made with decorator fabric samples and other "found object" fabrics and trims.  You can find photos of the whole collection on my website.

What follows are the steps I took to create this quilt.

Favorite Quotes #6 - It's The Little Things

I've been caught up in a book by Elizabeth Goudge called "The Bird in the Tree".

It's a rather slow moving story - one that in the book group we had with homeschooling teens and their parents would have elicited the oft-heard comment, "But nothing happened."  So far, and I'm a third of the way into it, it's much more of a character study with lovely, lovely poetic descriptions of Nature and Life.  And I always love a good tale told in poetic language.

Here are a few noteworthy quotes, about art, and therefore about Life ......

Art Deco Second Addendum

Well, here's another addition to my increasing knowledge Cleopatra's Fan, the Art Deco-style pattern on this quilt.  Here's what's gone before:
Original post
First addendum

A very astute and friendly reader of this blog scouted out and is sharing a couple of websites with us.

.... and More Buttons

Yep, another estate sale, another button jar.  I just can't pass 'em up.  All these for one dollar, folks.  Score!  (Thanks to my friend Gloria who spotted these while I was reveling in a box of sewing room odds and ends.)

I have now reached the point of no return.  I must DO something with all these buttons!  Jewelry?  Quilt embellishment?  (I've already done a bit of that, see links below.)  A quilt design executed entirely in buttons?

Glowing Pineapple Quilt

This is a lovely silk Pineapple quilt.  There are lots of wonderful colors, still bright and clear.  This quilt definitely puts to rest the view of antique fabrics as drab and basically brown!  In the 1700s and 1800s, the pineapple was often used as a symbol of hospitality.  I've also sometimes heard this pattern called Windmill.

It's super large - about 81" x 92".  Older quilts, meaning earlier on in the 19th century, are sometimes quite large because they were made for very high bedframe with trundle beds stored underneath.

Most of the fabrics are silk, with a few velvets in the mix.  They are in pretty good condition.  All I did for the quilt was to vacuum it to clear out old dust and freshen it up.  Visit this post for instructions for vacuuming quilts.

James and the Giant Peach

The next Thin Ice Ensemble Theater play is "James and the Giant Peach," based on the Roald Dahl book. We have 28 actors, aged about 6 to 11.  Here are the sketches for their costumes.

The bodice of Aunt Sponge's dress is stuffed with fabric.  The actress is wearing two bum rolls and 3 very long, very full petticoats that hang from shoulder straps.  The dress is now too full to zip closed, needless to say.  The back opening is secured with three elastics, and she will wear the matching apron as a capelet to hide the back.

The bottom ruffle of Aunt Spiker's dress was removed to make a straighter line, and leave her ankles showing to add to the illusion of height.  Black trim is being added to emphasize the vertical, and the ruffle will become a turban-like hat.

Favorite Quotes #5 - Becoming an Elder

"It's no good getting old, if you don't get artful."

I found this quote somewhere, so long ago that I don't remember where.  The only note I have says that it is a Yorkshire proverb.

I like the double meaning possible here, for an approach to Life in general, and for pursuing creativity and expressiveness.  I find it most uplifting.

Having recently passed my 60th birthday, I'm finding myself latching on to words and ideas to help me grow into the next stage of my life, thoughts about how to be an elder, and hopefully, a wise one.

I find I'm thinking of this chapter of Life as a time to gather the results of my experiences and share them, and as a time to give more space in my schedule for "just being", with myself and with others.  And don't these goals have a place in both kinds of artfulness.

I'm appreciating the style of the Red Hat Ladies - having fun, breaking with convention, and togetherness.  It's just around the corner now.

Publishing my book stems from my desire to pass along things I have learned.  And really, now that I think of it, the cover is nearly in the official red hat lady colors.  Oh!  Maybe I am a red hat lady already!

The photo is of me and the life-sized doll I made for a production of "Arsenic and Old Lace". The doll played the double roles of the bodies of Mr. Hoskins and Mr. Spenalzo with a change of jackets and an added hat.  Old and artful, the both of us!

Cheery Cherry Wreath

This quilt was made near Millmont, PA.  It was purchased in the early 1990s on the farm of an Amish quilter who was selling both her own quilts and those made by other quilters in the area.

The quilt block is called cherry wreath.  I like the clean, clear look of the quilt, due to the great balance of color, and the expanses of white.  And as every quilter knows, stitching all those circles is a challenge and requires an experienced hand at appliqué.

Needlework That Tells Stories: Exhibit in England

While searching around for something else, I came across notice of this wonderful exhibition at the Time and Tide Museum (lovely name!) in Yarmouth, Norfolk England.  It's called "Frayed: Textiles on the Edge."  It runs through 2 March 2014.  I'd go if I could!

Here's the theme as expressed by Ruth Battersby-Tooke, the exhibit curator, on the exhibit blog:  "...we have collected people's stories as well as the objects .... that had relevance to the idea of making textiles as a therapeutic art.  Not only an occupational therapy, a meaningful and structured way of busying the hands to still the mind, but also a powerful way to communicate, a creative and expressive way to release an inner voice." (The photo above is from the exhibit blog.)

Romeo and Juliet - Costume Details

Here are the stories behind putting together some of the outfits worn in our recent Romeo and Juliet.  The story of the overall design process and photos of the production are in the previous post.

The main sources for the costume pieces were:

- our own collection

- a bin full of unfinsihed samples and prototypes generously donated to us by clothing designer Alice Berry

- Annie's incredible shopping spree at the Salvation Army on a 69-cent Saturday sale

- loans and donations from Julia at Basya Berkman Vintage Fashions

- the closets of the actors and costumers

 

Romeo and Juliet - Costume Design

Last weekend, our high school students performed Romeo and Juliet.  They did a spectacular job with the deep emotions, the stage combat, and the lengthy script.  But what I am going to write about is the costumes.  Of course.

Eileen, our director, set quite a challenge for the costumes.  She asked that the look straddle the Elizabethan and the modern eras, expressing the timelessness of the story.  And she asked that the costumes be haute couture and edgy.

What the Birds See

"What the Birds See"

This is my latest quilt in the Something from Nothing series.  The series is based on a pile of decorator fabric samples.  Part of the challenge I have given myself is to make the design of the quilt related in some way to the design on the fabrics.  You can read more about the series here.

For this quilt, my goal was to use lots of the large floral prints and make a happy garden quilt.  I was wondering about what to use or make up for a garden design, and my friend Julie suggested that I reproduce a part of the Chicago Botanic Garden, and have the quilt ready to display at the big Fine Art of Fiber show that is held there every fall.  Perfect!  Thanks, Julie!

Favorite Quotes #3 - Invisible Work

The poem "Invisible Work" by Alison Luterman has long been one of my favorites.  (Note: It is the second poem on the linked page.)

It's a great poem for me, because it pulls together many aspects of my life - mothering - making art - honoring the life force in the world around us - feeling connected to that larger meaning as we go about our small daily tasks.  I really love that all this, in the end, becomes the definition of art.

World Without End

The border of triangles and squares that decorates my blog pages is a pattern called World Without End.  I adopted it as my logo quite a long time ago.  I like how it can look like a whole variety of different patterns depending on the coloration and layout, and I like the positive name.

Favorite Quotes #2 - Why Make Art?

"Oh, it's outrageous to consider creating art, isn't it? But life is short. And intense. And we need art to inspire and amuse us."
by Lisa Halpern, in "insight: the cornish magazine", 2010.  Cornish College of the Arts, Seattle

This is a brand new favorite quote, not one of my old stand-bys, found last night while musing over college promo materials before chucking them in the recycle bin.

July 21st Birthday Quilt

A little girl was born on July 21, 2008.  This is important to me, because July 21st is also my birthday, and because this new baby is the great-granddaugher of my husband's uncle and aunt.  This is the time when it would be great to have easy names for relatives, but we don't.  She is our first cousin, twice removed.  I think.

I love putting tons of symbolism into commemorative quilts.  (See these posts also:  wedding quilt, remembrance quilt, remembrance quilt.)  Here's the story of this one.

Woven Memories

This little quilt has connections to several other things I've blogged about:

Dye Migration

This ocean waves quilt is in my own collection.  It's one of the first quilts I purchased when I was starting to learn about antique quilts, in the early 1980s.  I bought it because I like the soft color combination, and especially liked that the quilt-maker had built on the reds in some of the prints, and accented those soft colors with a cheerful red binding.

A short while ago, I took it out of storage to bring it to a show-and-tell lecture I was about to present.  All my quilts are kept in acid-free storage boxes, and padded with acid-free tissue paper.  Lo and behold, I discovered that the tissue lining the box was covered with pale red triangles.