Treasured Family Heirloom, part 1

There are many different ways to put a value on a quilt.  Sometimes, like with this one, it's the artistry and the family history that makes it a treasure.  This poor quilt has definitely seen better days.  The silks are pretty much totally shredded.  But even so, the spirit, variety, and skill in the embroideries are notable.  Add to that a wonderful family history, and the quilt becomes something to honor and stabilize as much as possible.

Teapots and Butterflies

I found two fun fabrics on a pieced squares scrap quilt.  This is another from the family collection that I have been repairing.   See - Whirling Hexagons and Log Cabin and Capital S.

Fabric number one - turquoise teapots.

Capital S

A while back, I posted about a Capital O quilt that I rebuilt.  (And when I say "rebuilt", I really mean rebuilt.  It's quite a saga.)  I'd never come across an O block before.  And now, along comes another initial quilt block I've never seen, a Capital S.

Creative Quilt Ties

What really intrigued me about this quilt were the "ties".  Instead of the usual yarn or thread knotting, this quilter "tied" her quilt with oversize lazy daisy stitches!  Sometimes, she used a contrasting thread that lets the stitches really show.

Here's the stitching, front and back.  Very clever, don't you think?  And the brocade on the back is really lovely! 

 

Signature Presentation Quilt

This sweet quilt is as old as I am.  This somehow makes me very happy.

The block is known as Album Quilt, with a white, center rectangle just perfect for showing off a signature.  It has a clever and interesting way to finish a quilt with blocks set on point, but it sure did make the rebinding process much trickier!

Embroidered Memories

A short while ago, I received an email asking about the best way to clean this embroidered piece.  After getting some more info, I  suggested that vacuuming would be the safest and sent along the link to my post about how-to vacuum quilts.

I thought this unusual piece was worthy of being shared here, and the owner, Priscilla Friesen, graciously sent me the photos and story below to share here.

Another Perfect 1930s Double Wedding Ring

The Double Wedding Ring pattern was sure popular in the 1930s!  This spring, I've had two here for repairs in the same month.  When I blogged about the first one, I called it a perfect quilt - hence the name of this post.

Both have the same characteristics, including a huge variety of pastel print scraps and great needlework.  Here they are side-by-side, so you can see how they are alike and how they differ.  I always think it's great fun to compare and contrast the design choices that make each rendition of a pattern unique.

    

Cozy 9-Patch

This lovely little 9-patch came for a few small repairs to the top and remedy for the very worn edges.  Originally, it had a knife-edge finish.  I added a binding as a way to cover all the wear along the edges most efficiently.

This quilt was made by Etta Metott Weaver, the current owner's great-grandmother, in the 1950s.  You can see another of her quilts in a post called A Complete Makeover.

It's Mend It May!

The other day, I discovered via Instagram that there's a tag for #menditmay where people share their mending adventures!  So, I'm taking this moment to pass along the links about mending that I've been coming across.

Mending used to be much more the norm back when many things were made by hand and were much more precious.

   

I love investigating old repairs.  Here's some old darning on a lovely Edwardian day dress.

Amish-made Sampler Quilt

 

This quilt was a wedding gift, much adored, and came to me in need of some patching.  The needlework is marvelous, which after all is something Amish quilters are famous for.  This is a quilt made for sale, not at all in the traditional style of the antique Amish quilts.  Repairing it required that my needle skills stay on par with those of this great quiltmaker!

A Perfect 1930s Double Wedding Ring

I call this a perfect quilt, because it is just what a 1930s quilt is all about.  There's the popular Double Wedding Ring pattern.  There's the wide range of 1930s prints and soft colors.  There's great quilting. 

A Complete Makeover

This poor little quilt has been "through it".  The quilt is currently owned by the great-granddaughter of the quiltmaker.  She sent me this history:

The quilt was made by my great grandmother, Etta Metott Weaver, most likely in 1950 or 1951. She made a quilt for each grandchild (including the grandsons) when they got married. My mother, Jane Weaver, was Etta's granddaughter and she married in 1951. Therefore, I imagine the quilt was made for my mom in 1950 or 1951.

I couldn't find a name for the block, so I am dubbing it Capital O, at least until I learn otherwise. 

She sent these photos of the quilt's condition.  Yes, this is just a top and back, no batting.  It looks to me like someone took it apart to fix it up, and then realized they didn't quite know how to proceed!

A 1930s Sampler Quilt

OK, folks, I totally love this quilt!

It's a super fun collection of well-loved blocks, other more uncommon blocks, and a couple of wonderful appliqué creations.  The fabrics are pure 1930s style.  One really fun detail that you can watch for in the photos is that the ties are placed according to the design on each individual block.  There were some previous repairs here and there, including a new binding.

I just couldn't help myself, and took a photo of each block.  You can click to enlarge them.  I hope you enjoy them as much as I do!

I Always Love a Quilt with a Great Story

Well, I'm of a certain age, which means I'm still totally enchanted and amazed by the ease and extent of all these means of electronic communication.  Here's one of my best experiences so far.

Ruby wrote to me via my blog, and in addition to the question she was asking, mentioned an antique quilt she had restored and finished that had a great story.  And I answered with the title of this post!

Ruby answered with what truly is a great story.

(Reprinted with permission from “A Family History Quilt” by Ruby L. Marcotte, 2011.  Voices, The Journal of New York Folklore, Volume 37, 1-2, pages 36 – 40.  Copyright 2011 by New York Folklore Society.)

Family Feedsacks Quilt

This little quilt showcases a collection of feedsack fabrics, some purchased and some family heirloom fabrics.  These make such a cheerful quilt!

The printed feedsack idea blossomed during the Depression, and lasted through the fabric shortages during World War II and beyond.  Frugal living doesn't go out of style!  The Quilt History website has an overview of feedsack history.  Another article has loads of resources and some great vintage photos.  This article has some entertaining vintage ads from companies proud of selling their wares in such useful bags. 

These fabrics are guaranteed to bring a smile to even the grumpiest of days!

(See lots more feedsack fabrics in the following post!)

Buckeye Beauty - A Quilt and A Story

Quilt blocks with this geometry combining half-square triangles and 4-patches go by many names depending on the placement of the colors and the arrangement of the blocks.  This arrangement is called Buckeye Beauty.  (The quilt is way too big (13 x 13 blocks) for me photograph the whole thing!)

The quilt's owner tells this story:

Heirloom Quilt with Family Photos and Some Flashy Peacocks

One of my favorite parts of the quilt repair biz is when someone brings a family heirloom quilt and shares the story and occasionally even photos of the quiltmaker.  More often, people tell me sadly that none of their offspring care very much about "old things" or the family history.  But here's a quilt brought to me by a young woman who is very, very much in love with the family story.  Warms my heart!

Here is her story of the quilt and the quilter. 

Attached are photos of my Manx great-grandma. The first one is from just before she left the Isle of Man, she is in her early 20’s. The second photo was from the early 60’s.

     

Log Cabin Magnified

This quilt is one of a collection of family heirloom quilts that I've been repairing. 

Years ago, I worked with the Illinois quilt documentation days, one of the projects that produced so many statewide data bases and books.  I remember some talk about quilts with extra large blocks like this being regional styles in some areas.

The quilt was made in Louisiana.  I'm dating it to the 1950s.  These photos show colors and prints that are really indicative of that decade.

To paraphrase Dorothy in Oz - Turquoise, salmon, and grey!  Oh, my!

Whirling Hexagons

Here's a pattern I'd never seen before having this quilt come in for repairs.  And green is my favorite color.  So I had a good time working on it!

Barbara Brackman's book shows it with two names - Whirling Hexagons and Texas Trellis. The block has a really simple geometry that makes a vibrant overall pattern.  It might work well as a scrap quilt, too.

Sleuthing Around a Quilt - Part 2 Fabrics

What a lively quilt this is!  A full description is in the previous post.  Here are some more photos of the fun fabrics in the quilt.

1940s, the decade I believe the quilt top was begun.

These stylized flowers in purple and blue seem very 1950s or 60s to me.

The fabric in the center of this block couldn't be more 1950s if it tried!  And I think the floral in the triangles dates to the 1950s, maybe 60s.  I'm pretty sure this whole little block was a patch.  The way the edges lie certainly helps me believe that.  Plus it's not quilted!